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The Hundred Days, by Joseph Roth
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Now in paperback, Napoleon’s return to the throne in Paris, as imagined by the incomparable Joseph Roth
Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica―an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates.Roth’s signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. “There may be,” as James Wood has stated, “no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile.”
- Sales Rank: #674951 in Books
- Published on: 2016-01-11
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .70" w x 5.10" l, .0 pounds
- Binding: Paperback
- 224 pages
Review
“An achingly beautiful fictional account of the rise and fall of the Emperor Napoleon.” (Abby Margulies - Words Without Borders)
“There is a poem on every page of Joseph Roth.” (Joseph Brodsky)
“What a marvelous writer! Read him now. You can thank me later.” (Michael Dirda)
“A novel of great sensitivity and resonance. The Hundred Days is a meditation on the nature of greatness and love’s dogged loyalty, interwoven with the well-balanced irony that is Roth’s trademark. It’s a sad little gem.” (Boston Review)
About the Author
Joseph Roth (1894-1939) was the great elegist of the cosmopolitan culture that flourished in the dying days of the Austro-Hungarian Empire. He published several books and articles before his untimely death at the age of 44. Roth’s writing has been admired by J. M. Coetzee, Jeffrey Eugenides, Elie Wiesel, and Nadine Gordimer, among many others.
Richard Panchyk has published twenty-three books, including translations of three Joseph Roth novels: The Antichrist, The Hundred Days, and Perlefter.
Most helpful customer reviews
2 of 4 people found the following review helpful.
Roth's worst translated novel
By Patrican
Despite being graced with Roth's lyrical settings and memorable imagery, "The Hundred Days" is so ill-conceived and so disjoint as to be pointless. As an example of the imagery, consider the couple, previously happily domiciled together, now agreeing to separate, probably forever. They're standing in the rain talking, then comes the final goodbye handshake: "Both hands were wet and there was no warmth in either. It seemed that they were not actually shaking hands, but exchanging rain." (pg 130)
The novel is divided into four Books. Book I describes Napoleon's return to Paris after his escape from Elba. It's by far the best section of the novel. Book II tells the story of how Angelina came to be working as a laundry maid in the Imperial Palace before Napoleon was sent to Elba. It's the longest Book in the novel, and it's very peculiar, not in a good way. Her story appears to be a replay of Andreas Pum's; he's the hero of Roth's 1924 novel "Rebellion." Both Andreas and Angelina have a peasant's religious devotion to the Emperor, and both of them are served badly by the military. Both stories describe men's glory-addled rush to enlist in military service, the maiming and killing of war, the unreliability of veterans' pensions after a war is lost, and the amazing rapidity with which the population can reverse its loyalties. One reason for Roth's failure here may be that Napoleon's Paris is 100 years away from Roth's base in Franz Joseph's Vienna. But the deeper reason is probably that Roth can't portray women from the inside; his evocation of Angelina's thoughts and emotions simply isn't credible. In fact, she has no passion at all, unless you count her religious devotion to Napoleon, whom she meets only twice, very briefly. In her story she goes from being an innocent young virgin to a woman used by soldiers to being a single mother, all the while "dazed and confused," "with a dark awareness that life was very difficult and quite unintelligible, a dangerous and extraordinary burden." (pp 79-80). That's about it. It may be relevant that by 1936, when he wrote "The Hundred Days," Roth's wife had been permanently institutionalized for schizophrenia.
Book III covers Napoleon's defeat at Waterloo and his subsequent abdication. Here Roth emphasizes Napoleon's back pain, "in the small of his back" (pg 151). In fact Napoleon suffered terribly from hemorrhoids. His inability to stay on his horse probably affected the outcome at Waterloo. Roth's late-life fondness for emperors wouldn't allow him to mention such a thing. In this Book Napoleon's thoughts fill many repetitive pages as they cycle endlessly in his head. It's quite tedious. Book IV, thankfully very short, describes Angelina's death as she charges wildly into a crowd of Royalists. The final circumstances of her body set a new standard for bathetic symbolism.
0 of 1 people found the following review helpful.
strongly recommended
By S. Sasic
melancholic from the first to the last page. very elegiac and poetic, as if extended poems lined up into chapters of a book, masterly written beyond any doubt. all the characters are sad, fight lost battles, and inexorably slide toward demise. one of the reviewers here mentions somewhat clumsy translation (and quite a few repetitions) which I would agree with but other than that, for me, this is certainly a gem of a book. speaking of napoleon, one should not consider roth's napoleon an 'accurate' replica of napoleon bonaparte.
1 of 4 people found the following review helpful.
Four Stars
By Stead Fast
The text is virtually poetic. Very soothing book.
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