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Hysterical: Anna Freud's Story, by Rebecca Coffey
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Imagine growing up at the tail end of the hysteria epidemic that swept Europe in the late 19th and early 20th centuries. You are sexually attracted to other girls, a proclivity that medical doctors of your era consider a symptom of hysteria. Your world-renowned father is one of them. Worse, he has built much of his reputation on his “discovery” that your sort of hysteria is always caused by the father and is curable by psychoanalysis.
Then he analyzes you.
Anna Freud (1895-1982) harbored a secret that could have shaken the foundations of her father’s growing legacy. Suspecting as much, Sigmund psychoanalyzed her. Was that “conversion therapy” the erotic echo chamber that he warned analysis always is? Who was Dorothy Burlingham, a figure that most of Sigmund’s and Anna’s biographers have tirelessly ignored? How did Anna manage to live a full life, raise a family with Dorothy, and become a guiding force for analysts, educators, and humanitarians—all while devoting herself to her homophobic father as he aged and died? HYSTERICAL is the fact-based, fictional autobiography of Anna Freud. In it, she tells her story for the first time.
HYSTERICAL has been named a 2015 “Over the Rainbow” book by the Gay, Lesbian, Bisexual, and Transgnder Round The American Library Association.
Author Rebecca Coffey is an award-winning journalist, documentary filmmaker, and radio commentator. Also a humorist, she is the author of NIETZSCHE’S ANGEL FOOD CAKE: And Other “Recipes” for the Intellectually Famished.
“Journalist Coffey . . . presents an avidly researched, shrewd, and unnerving first novel that purports to be the lost autobiography of Anna Freud. . . . Coffey offers some truly shocking disclosures about the Freud family in this complexly entertaining, sexually dramatic, acidly funny novel of genius and absurdity, insight and delusion, independence and loyalty.”—Booklist
“Like a therapy session, HYSTERICAL tunnels very deeply into Anna’s childhood experiences—thoughts, events, dreams, fantasies—and like a therapy session, the facets of what are revealed are at times disturbing and uncomfortable. Add to all that the inherent struggle between Sigmund and Anna, which twists and deepens as they both age, especially as Anna comes into her sexuality, and you’ve got a plot so rife with tension it’ll make you squirm. . . . Hysterical approaches its subject with remarkable, even agile, tenderness and understanding—Coffey gives Anna a voice, one that history has thus far not allowed her.” —LAMDA Literary
“Completely absorbing and entirely believable, HYSTERICAL is both a lovely work and a treasure. This is the book we all wish Anna Freud had had the courage to write.” —Jeffrey Moussaieff Masson, author The Assault on Truth: Freud’s Suppression of the Seduction Theory and former Projects Director of The Freud Archives
“Rebecca Coffey’s imagination knows no bounds. She makes you believe this is exactly the way it all happened. HYSTERICAL is sad, funny, painful, strange, outrageous, and disturbing. If we can’t have Anna’s diaries, this is the next best thing.”—Ellen Bass, author of The Courage to Heal
- Sales Rank: #404718 in eBooks
- Published on: 2016-01-11
- Released on: 2016-01-11
- Format: Kindle eBook
Most helpful customer reviews
9 of 10 people found the following review helpful.
I applaud the intent of this work, but the execution left much to be desired for me
By B R Sanders
HYSTERICAL: ANNA FREUD’S STORY, by Rebecca Coffey, is an historical novel told from the perspective of Anna Freud. It is a memoir Anna writes on her deathbed, and in true Freudian fashion as Anna reflects back on her life—the choices she made, the actions which defined her, how she came to be who she was—much of her memoir centers on her childhood. And much of her childhood ruminations center on her relationship with her monstrously overshadowing father, Sigmund Freud.
In the Author’s Note of the book, Rebecca Coffey, a journalist by training, mentions that she did not set out to write a novel. When the various estates and Freudian strongholds kept Anna Freud’s personal letters and writings under lock and key, Coffey turned to fiction to fill in the blank spaces. This, I think, is an admirable approach—Anna’s is a voice that deserves to be heard. Anna was a lesbian, but her father’s work denounced her sexuality. At the same time, Anna Freud, of all of Freud’s children, was his clear intellectual heir and also his caretaker in his old age. They had a close professional and emotional relationship, but how did those theories about Anna’s “brokenness” affect her? Despite his warnings about the inherently erotic nature of the analytic relationship, Freud analyzed Anna, probably about her sexuality—what must that have done to their relationship? These are the questions Coffey sought to explore with her novel, and they are good ones. They are ripe for exploration. I was chomping at the bit to read this book.
This is a situation, ultimately, of unfulfilled promise. When Coffey allows Anna to delve into the questions above, it is only with glancing blows. The story behind the book—Coffey’s search for answers, the tired old Freudian vanguard circling the wagons and shutting her out, her turning to fiction to create answers for herself—is more intriguing than the book itself, which is a great pity.
For the book to work, Anna has to shine. As a narrator, for us as readers to carry with her, I feel the book could have gone one of two ways: she could have been blisteringly honest, terrifyingly honest about everything. There would have been anger, and evisceration, and confusion. A lot of emotion. A lot more emotion than she displays in the book as Coffey wrote it. Or, Anna could have been inherently unreliable—equivocating, hero-worshiping, lauding Sigmund in ways that betray to the reader that perhaps not all was what it seemed. Instead, we got an Anna who was removed and distant, smirking and gentle. It seemed it wasn’t her own story she was even telling.
The rhythm of the narrative was strange; so much focus on some episodes of her life and so little focus on others. This is, perhaps, an odd complaint to make here, but I would have preferred the book to be less psychoanalytically focused—I would have liked fewer exhaustive sessions of Anna detailing her weird dreams to her father and more scenes of her actively living her own life. I wanted to see and feel her actually fall in love with the women in her life and experience her grappling with what that meant—not in sessions with her father, but in her own mind and in her skin. Ultimately, given the tightness of the focus on the analysis sessions with Sigmund, and given the narrowing in on his homophobia, the book became more about Anna’s inability to save him from himself than about her thoughts or her life or her actions.
As a novel, the book suffered from a lack of characterization and flawed pacing. To succeed, Anna’s voice needed to be strong enough to carry the book, but Coffey never found it—Anna drifted into the background, and as in history, she was overshadowed once again by her larger-than-life father here. I applaud the intent of this work, but the execution left much to be desired for me.
15 of 17 people found the following review helpful.
"Psychoanalysis is inherently an erotic relationship."
By Amelia Gremelspacher
This fictional autobiography of Anna Freud is long on the sensational nature of Freud's theories on sexual material being one of the cornerstones of his theory. While there s a distinct "ick factor" (that is the technical term) in Freud's conducting his own daughter's psychoanalysis, this novel is deeply florid in its exposition. The very overwhelming scenes of Freudian conferences and Anna's fantasies deeply shadow the other material in the book. While Anna's very real contributions and her profound observations of the giants of her day are certainly part of the book, they are overshadowed by the very explicit sexual content. There is much potential in this book, and much that adds to a view of Anna, but the I think it does her a disservice in the overwhelming drama. Those were the pioneering days in the study of mind. Much of Freud's theories are currently not a part of today's theories, but there is no discounting the weight of his contribution. And I believe Anna to have been on par with his observations so welcome any contribution to the telling of her story.
5 of 6 people found the following review helpful.
Hysterical is funny and such a great name considering Freud thought women were in hysteria often times. Great, smart book.
By Peggy Heuston
The way Rebecca Coffey digs in to the intimate, behind the scenes of the Freud Family through Anna's eyes is incredible. Based on many facts that are known about the Freuds, Rebecca takes that information and tells us what that must look and feel like through young Anna's eyes. She also continues in to Anna's adulthood and knowing her childhood, it explains why Anna believed what she did. During a time when women were not well received in many professions, Anna was able to make her own mark on psychology which is incredible. Anna was slow to leave her father's strong belief system but finally seemed to find her way. Signmund had so many followers such as Alfred Adler all wanting to be mentored by him. Anna had a front row seat to all of it and that is what Rebecca tells us about. Rebecca took an interesting subject such as the life of Anna Freud and put some humorous takes on what her thoughts likely were. I didn't know how dysfunctional their family really was until I read this book. Freud is the grandfather of psychology and deserves recognition for being one of the first to delve deeply in to the human mind but he was pretty far off the mark in many cases. I won't spoil the ending. Women are portrayed as strong and intelligent and that makes me like the book even better. A man really could not have had the insight Rebecca has on what it must have been like for Anna. I could not put the book down.
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