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! Download Pierre; or The Ambiguities, by Herman Melville

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Pierre; or The Ambiguities, by Herman Melville

Pierre; or The Ambiguities, by Herman Melville



Pierre; or The Ambiguities, by Herman Melville

Download Pierre; or The Ambiguities, by Herman Melville

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Pierre; or The Ambiguities, by Herman Melville

Herman Melville was a well-known American novelist in his day, with best-sellers like Typee, but by the time he died in 1891, he had fallen into obscurity. Although his first few books were popular, they too began to collect dust and be forgotten in the country.Then came the Melville Revival in the early 20th century, which breathed life into his legacy and brought his work back to the forefront. Of course, the book that benefited the most from that revival is now considered one of the greatest American novels ever written: Moby Dick.

  • Sales Rank: #5535699 in Books
  • Published on: 2016-01-21
  • Original language: English
  • Dimensions: 9.00" h x .73" w x 6.00" l,
  • Binding: Paperback
  • 320 pages

From Library Journal
This was Melville's 1852 follow-up to the then flop Moby Dick. His publishers, fearing they had another failure on their hands, forced Melville to make additions to the text before they'd publish it. Melville later referred to the original, shorter version as his "kraken" book. Editor Parker has here restored the psychological novel to Melville's intended form. The text is buttressed with 30 full-color illustrations by Maurice Sendak. For serious literature collections.
Copyright 1995 Reed Business Information, Inc.

From the Back Cover
This Kraken Edition of Pierre, or The Ambiguities is a reconstruction of the text that Melville delivered to Harper & Brothers early in January 1852, just as some of the most devastating reviews of Moby-Dick were appearing. The Harper brothers apparently decided that Pierre was even more outrageous than Moby-Dick and tried to avoid publishing it by offering Melville less than half the royalties they had paid for his previous books. Accepting the humiliating contract, Melville took a self-destructive revenge. After Book XVI, he interpolated a new section on "Young America in Literature", in which he arbitrarily announced that his hero, Pierre, had been a juvenile author. Melville proceeded to add an intrusive "Pierre as author" sub-plot, disparaging American literary life and the world of publishing, which he left unassimilated into the book he had first completed. Melville scholar Hershel Parker has long believed that the psychological stature of Moby-Dick would best be understood in the light of the original, shorter version of Pierre, in his opinion "surely the finest psychological novel anyone had yet written in English". Moby-Dick and the reconstructed Pierre are at last revealed as complexly interlinked companion studies of the moods of thought - the Typee and Omoo of depth psychology. Furthermore, all Melville lovers will be challenged by Maurice Sendak's extraordinary pictures, which constitute a brilliantly provocative interpretation of Melville's study of moral and mental ambiguities.

About the Author

Herman Melville (1819-1891) was an American novelist, short story writer, essayist, and poet who received wide acclaim for his earliest novels, such as Typee and Redburn, but fell into relative obscurity by the end of his life. Today, Melville is hailed as one of the definitive masters of world literature for novels including Moby Dick and Billy Budd, as well as for enduringly popular short stories such as Bartleby, the Scrivener and The Bell-Tower.

Most helpful customer reviews

73 of 80 people found the following review helpful.
Bad, Bizarre and Brilliant
By A Customer
Pierre is perhaps the strangest novel of all time: bizarre, to say the least, but brilliant in its extravagence. At a minimum, it is one of Melville's central novels that deconstructs the entire myth of pre-war American society in its explorations of incest, patricide and psychosis. It is almost inconceivable that Melivlle really believed that it would be popular (which he did), for it shows the impossibility of writing as an American author, the impossibility of originality, and the impossibility of self-reliance. Beware: it is not for the faint of heart. It is demanding, relentlessly challenging, and very rewarding.

71 of 79 people found the following review helpful.
Memorable and Disturbing
By Padma Thornlyre
It's been since grad school, in the early 80s, that I last read Melville's "Pierre", yet it's stuck to my ribs ever since. I recall a quote from Freud, that he ventured nowhere that a poet hadn't preceeded him, and I have to wonder if he had this unfortunately obscure masterpiece in mind. For Melville examines themes of psychology and sexuality as no other writer before him...excepting perhaps the Pagan mystics of old Europe. "Pierre" brilliantly illuminates the darknesses of the human psyche, those tunnels and strange rooms few of us ever explore, lest we be artists and therefore honest and courageous enough to sacrifice our egos. Melville considered "Pierre" his most important work, a suitable novel to follow "Moby Dick" (justifiably considered by many THE great American novel). Yet I find "Pierre" more moving, because more tragic, than "Moby Dick"--Ahab is obsessed and while his obsessions mixed with his intelligence make him complex, he is clearly one-dimensional in his drive. Pierre, however, is drawn by instincts which defy his conscious realization, by desires which emanate from the dark belly of humanity and therefore can't be seen. Ahab wants revenge; Pierre wants fulfillment. For a landlocked person such as myself, "Pierre" is also an easier read: no boggling display of nautical terminology to refer to on every page. Yeah, Freud was right: he owed a great deal to the poets...and while, technically, Melville was more storyteller or novelist than poet, here is a poetry there that's unmistakeable. Embrace this book, and embrace the spirit of the great man who possessed the courage to write it.

32 of 37 people found the following review helpful.
Adultery, incest, madness, murder, and suicide--all in "a narrative nervous breakdown"
By D. Cloyce Smith
"Pierre" is perhaps Melville's most difficult and challenging novel--and that's saying something. Despairing over his inability to support his family, Melville began writing a book designed to be popular--a counterpoint to the sensational novels written and read by contemporary women, using inspiration from French romances and even from Hawthorne's novels. Wavering between psychological melodrama and social satire, Melville ultimately increased the book's length by half again, incorporating his rage against the literary world by adding a subplot about a young man's desperate struggle to become a writer.

The stumbling points for most readers are the novel's opaque prose, the "thees and thous" of its antiquated dialogue, and the labyrinthine hodgepodge of a plot. But the density is broken by colloquial asides, sparkling sarcasm, and an occasional passage that approaches Dickensian mirth, such as Melville's description of the "Preposterous Mrs. Tartan!" and her undercover attempts to play matchmaker between Pierre and her daughter: "Once, and only once, had a dim suspicion passed through Pierre's mind, that Mrs. Tartan was a lady thimble-rigger, and slyly rolled the pea."

Behind the mask of the prose, however, is a modernist--even scandalous--story of a young, somewhat deluded man whose nihilistic descent leads to his destruction. Engaged to Lucy Tartan, Pierre adores his mother (their make-believe brother-sister relationship is almost creepy in its amorous undertones) and worships the memory of his long-dead father. This idyllic world is shattered by a missive from a woman, Isabel, who claims to be his half-sister--a claim supported by a more-than-passing resemblance to a portrait of his father. Complicating matters are his romantic feelings for this alleged half-sister.

Convincing himself that he is choosing honor over duty, he breaks off his engagement and flees to Manhattan with Isabel, taking along a local woman who had been disgraced by an out-of-wedlock tryst. Disowned by his mother and cut off from his family fortune, Pierre finds shelter for this odd trio among bohemian neighbors in a dilapidated part of town. His finances slowly evaporating, Pierre struggles to support them by writing a novel. And then, just when the plot can barely handle another twist, his estranged fiancee Lucy shows up at their doorstep.

To go any further would spoil the fun for the reader. Yet even such a basic plot summary omits some memorable and extraordinary scenes and sketches: his first meeting with Isabel, the near-riot that greets them during their first night in Manhattan, the eccentric philosopher who refuses to put his scholarly brilliance into written form.

Adultery, incest, madness, murder, and suicide--all the ingredients of a bleak nineteenth-century melodrama are wrapped in archaic language and modern themes. In her life of Melville, Robertson-Lorant calls "Pierre" "a narrative nervous breakdown" that is a "minefield" for biographers. It's also a goldmine; in no other work does Melville more clearly ridicule his critics, his friends and family, and even himself. The weird universe of "Pierre" is not the place to start if you've never read Melville, but it's certainly where you should go if you want better to understand his life and works.

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