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A Citizen of the Country, by Sarah Smith
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"My wife will murder me unless I murder her first."
In the ancient, bloody region of French Flanders looms Montfort castle, home of Count André du Monde, owner of a famous Paris horror theatre. To repair his fortunes, he marries an heiress. Sabine is young, blameless, beautiful, and rich, a perfect leading lady for André's first film--but the eccentric count suspects his wife is a practicing sorceress.
Then the Grand Necropolitan Theatre is suddenly stricken with disasters: an unexpected death, a puzzling disappearance, and the savage beating of lead actor Jules Fauchard.
André believes Sabine has placed him under a curse. No one believes him, not even his old friend, Alexander von Reisden. To watch over the couple, Reisden agrees to take a part in their film--and finds his own secrets threatened and his marriage becoming as poisoned as theirs.
Amid escalating tension, the players assemble at Montfort to begin filming André's movie. Then, within the deep medieval basements of Montfort, life and fiction intersect--as the Grand Necropolitan becomes a true theatre of horrors.
Filled with a host of unforgettable characters whose agendas tangle as secretly as the underground tunnels of Flanders, A Citizen of the Country is a compelling novel of desire, poisonous secrets, and love gone terribly wrong.
- Sales Rank: #1308886 in eBooks
- Published on: 2016-01-20
- Released on: 2016-01-20
- Format: Kindle eBook
Amazon.com Review
"Murder didn't define Alexander Reisden anymore," the narrator declares coyly on the first page of Sarah Smith's A Citizen of the Country, the final installment of her Vanished Child trilogy. But the truth is that Reisden, former Austrian spy and protective new father, is perpetually haunted by the consequences of having murdered his grandfather at age 8. Set in Paris and Flanders just before the outbreak of World War I, A Citizen of the Country is an intricately plotted, maddeningly complex novel that may frustrate readers who expect mysteries to deliver a corpse before delving into an exploration of motives. In A Citizen of the Country, competing motives are palpable if peculiarly unattached to a definite crime. The first corpse doesn't show up until page 81, for example, but we know intimately many creepy people capable of having poisoned Mlle. Françoise.
Though A Citizen of the Country is unconventionally plotted (perhaps overplotted), it nevertheless spins a web of moral dilemmas that seem to trap the main characters between indecision and desire. The characters struggle mightily against the choices that their lives seem to impel them towards, and this is richly rewarding. In a novel brimming with deftly drawn personalities, André de Montfort is the most compelling. Shut in at age 5 with his parents' decomposing corpses during a cholera outbreak, André's personality is subsequently macabre and imbalanced. His alter-ego Necrosar writes and directs a horrifying meditation on Macbeth in which he casts childhood friend Reisden, adoptive father Cyron, and potentially treacherous Sabine, his wealthy, nubile wife. During the filming, which occupies the second half of the novel, a series of unexplained murders flummoxes Reisden, and lures his blind wife Perdita and toddler Toby into frightening proximity to blackmailers, thugs, and sorcerers. The novel's densely involved plots climax in the shocking death of one of the principals, which motivates the best sequence in the novel, a truly terrifying plunge into the claustrophobic, pitch-black tunnels burrowed beneath Arras, an ancient village. A Citizen of the Country amply rewards readers who savor a writhing plot bursting with hundreds of expertly culled historical details. --Kathi Inman Berens
From Publishers Weekly
Set within both the city of Paris and mysterious fictional Montfort Castle in Flanders on the eve of WWI, this stylish and literate historical drama rings down the curtain on Smith's popular trilogy (The Vanished Child; The Knowledge of Water) that illuminates society in early 20th-century France. Dark snatches of memory still trouble Alexander Reisden, director of Jouvet Medical Analyses, an eminent Parisian mental health clinic. Did he murder his grandfather? Is he the heir to an American fortune? As war threatens, Reisden's personal troubles are pushed into the background. On the verge of procuring an important contract with the French army for the mental competency testing of soldiers, he learns that former military hero Maurice Cyron stands in his way. Cyron, who intended a military future for his stepson, Andr?, the count of Montfort, blames Reisden for encouraging Andr?'s theatrical bent. Fascinated by death (for reasons Smith eventually reveals), Andr? channels his dark thoughts into his work at the Grand Necropolitan Theatre, where he is driven to act out his obsessions. Though recently married, he ignores his seductive wife, Sabina, and accuses her of trying to poison him. While struggling to appease Cyron and help Andr?, Reisden strives to satisfy his own wife, Perdita, a legally blind concert pianist who wants to resurrect her career with a trip to America, where she hopes to compel Reisden to come to terms with his past. When Andr? and Cyron join forces to make a military film on the grounds of Montfort Castle in Arras, with Reisden's participation, Smith ratchets up the tension. In addition to providing fascinating background on early filmmaking, the author adds French military secrets, murder, blackmail and witchcraft. Though the buildup to the revelation of Reisden's dilemma seems unnecessarily complicated, readers will care about the splendidly realized characters, whose fates are decided in an eminently satisfying conclusion. Agent, Jane Otte. 3-city author tour.
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Now that he and his concert pianist wife have a young son of their own, physician Alexander von Reisden wants more than ever to wipe out a past full of hidden identity, tangled relationships, and murder, but a dangerous blackmailer forces him to confront his demons and accept himself and a family relationship he has tried desperately to forget. The trouble starts when von Reisen is forced to take on the case of the deeply disturbed Andr du Monde, sponsor of the Grand Necropolitan Theater, whose ghoulish productions feature his young wife. Smith's concluding volume to her "Vanished Child" trilogy, set in a bellicose France on the brink of World War I, is a murky and sinister tangle of political and domestic intrigue, witchcraft, and murder. It will resonate more with readers familiar with The Vanished Child (LJ 2/1/92) and The Knowledge of Water (LJ 8/96), but it offers compelling reading for everyone. Highly recommended.DCynthia Johnson, Cary Memorial Lib., Lexington, MA
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
9 of 10 people found the following review helpful.
superbly plotted finale
By A Customer
A Citizen of the Country succeeded where The Knowledge of Water failed, in that it was truly worthy of being called a sequel to the tremendous opening book, The Vanished Child. While typically complex, the mystery plot here was at least understandable. But, as always, the key to these novels is the human plot introduced in the Vanished Child, and the denouement of that plot here was just fantastic; it was truly a payoff for people who have read all the books in the trilogy. Hopefully, the author will reconsider her decision to make this only a trilogy, and write one more episode set during World War One. The ending of this book certainly sets up the possibility of such a sequel. All in all, this was a great read, and anyone who may have been slightly turned off of this series by The Knowledge of Water should definitely give this book a try.
5 of 5 people found the following review helpful.
A beautifully woven tapastry of the written word.
By Novium
Sarah Smith has once again wriiten a beautifully intricate novel. Her third, it is definately not to be missed. In this carefully crafted novel, she once again deeply explores each of her charecters; their hidden motivations, secrets, mental standing and fears. In essense, she brings her charecters to life by making a 3-d copy of who they are and why- a DNA of personalities.
Alexander von Reisden returns in this book, along with Perdita, the blind pianist. To reveal the plot would not only be sinful but almost impossible to do. The only way to know and understand the plot is to read the book.
Although it is possible to read this excellent book without reading the first two, it would be a tragedy to miss the Vanished Child and the Knowledge of Water.
3 of 3 people found the following review helpful.
Final installment?
By Kirsten Russell
Having read Sarah Smith's first two novels, I could hardly wait to read the third -- reportedly final installment of a trilogy. Like the second, this novel contains an involving new story as well as gripping developments in the ongoing saga of Alexander Reisden and Perdita Halley -- and my only objection is, I can't believe this is the final novel of the series! Without giving away the plot of this book, I have to say it strikes me as being set up for another sequel. And it's only fair to point out to future readers that, while this book is set in 1911, Smith earlier reported that she intended the final novel of the trilogy to be set in 1914 -- World War I. I'm still waiting for that novel! -- A Passionate Fan, Kirsten Russell
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