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The Vanished Child, by Sarah Smith
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Someone killed Richard. Now Richard wants to know why.
New England, 1887. The millionaire William Knight is brutally murdered. The only witness, his young grandson, is shocked into silence, then disappears three days later without a trace--presumably kidnapped and killed.
Switzerland, eighteen years later. Baron Alexander von Reisden, intellectual, cynical, and suicidal after his wife's death, is "recognized" as the missing Richard Knight. Despite Reisden's insistence he is not Richard, he is drawn into the affairs of the Knight family--gaining the hatred of the family's adopted son, who stands to inherit the family fortune.
Yet as Reisden tries to find out why Richard died, he begins to have vague, unsettling feelings of familiarity. For he is a man without memory of his own childhood, and his obsession with finding Richard is leading him closer to a shattering truth.
And to a killer, still at large...
"Stunning…Tells a grim tale of murder and duplicity in stately prose that subtly enhances the psychological horrors…." - The New York Times (Notable Book of the Year)
"A stunning tale of love, amnesia, child abuse, Victorian sexual repression and murder most foul….The satisfying denouement is a shocker." - Publishers Weekly (starred review)
"Greed, suspicion, love, madness, and amnesia: Sarah Smith pulls it all together with a rare talent for telling a complex story in beautifully simple language." - The San Francisco Chronicle
"Smith deftly explores both the actual and the psychological mysteries…. Highly recommended." - Library Journal
"Deliciously intriguing…an artful literary puzzler featuring the kind of thick period detail and narrative intricacy mastered by Charles Dickens and Wilkie Collins, and by few writers since…. This one belongs on the permanent shelf." - The Philadelphia Inquirer
- Sales Rank: #1031658 in eBooks
- Published on: 2016-01-20
- Released on: 2016-01-20
- Format: Kindle eBook
From Publishers Weekly
Smith's first novel is a stunning tale of amnesia, child abuse and murder in turn-of-the-century New England.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
A chance encounter with a stranger on a train platform tears Alexander von Reisden from his ascetic devotion to his chemistry lab, and plunges him into a 19-year-old mystery involving the murder of a wealthy Bostonian and the disappearance of his grandson. Is von Reisden, as the stranger first thought, the missing heir to the Knight fortune or is he the European aristocrat he always believed himself to be? Helping the Knights face the demons of their past, von Reisden is forced to confront his own. Employing subtle Jamesian touches and his milieu of turn-of-the-century Boston, Smith deftly explores both the actual and the psychological mysteries surrounding the case. Highly recommended.
- Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass.
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
Twenty years after someone killed William Knight and kidnapped William's eight-year-old grandson Richard, Baron Alexander von Reisden reluctantly agrees to impersonate Richard in order to solve the mystery of what happened back in 1887. Reisden, still mourning the death of his wife in a car he was driving, is lured away from his biological research when he's taken for Richard by Knight family physician Charles Adair, concerned because Richard's uncle Gilbert, neurotically unwilling to declare Richard dead, is thereby preventing the family fortune from passing through him to his callow adopted son Harry, who's engaged to promising blind pianist Perdita Halley. But Reisden doesn't agree to pass himself off as Richard in order to jolt Gilbert into action; he merely enters Gilbert's household insisting he's not Richard and lets him think whatever he likes. As Reisden puzzles over the old mystery- -was William really shot by his illegitimate son Jay French, as Charlie Adair testified, or was Charlie too far away to see who pulled the trigger?--and finds himself falling in love with Perdita, new mysteries multiply: Is the skeleton found in the barn evidence of Richard's murder, or of Jay's? Did Charlie really kill Jay himself? Is Reisden actually Richard after all? The news that William regularly beat his grandson paves the way for a solution to some of these riddles, but others are still floating unresolved at the final John Fowles-ish curtain. Smith (the computer-readable King of Space, plus academic nonfiction) paints a canvas reminiscent of Robert Goddard's well- upholstered period thrillers, though more tonily inconclusive at every stage. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Complex and charming.
By Kate Savage
The Vanished Child is marvelous. I am actually writing this review about 1 1/2 years after I read it and it is still very clear in my mind. I read a lot of books and sadly many of them are something I remember reading, but not being involved in. I find myself visiting with the characters in this book from time to time. I especially liked the scene where Peridita is given a feminist pin and tucks it under her hat to better contemplate it.
I enjoyed the prose, I found it charming. I did not find the characters to be overly modern. In fact, I think Sarah Smith got it right on the head. After all, we are talking about contemporaries of Nietzsche, Freud and Susan B. Anthony. The main characters (Alexander and Peridita) shared something of the outsider's perspective of Nietzsche, Freud and Susan B. Anthony. The respectable class would at best feel an uneasy tolerance of them. Perdita being blind AND an artist. Alexander dark, complex and brooding - - a bit like Heathcliff and look how things turned out for him!
Other than the Alienist, I cannot think of any other book set in this period that picks up and runs these complex elements of one of the most interesting periods of intellectual history. However, the Alienist is more of a face paced thriller and The Vanished Child is more cerebral. Both are well worth reading.
6 of 6 people found the following review helpful.
a psychological suspense thriller not to be missed
By A Customer
Never have I read a book and lingered over it as I did The Vanished Child. A wonderfully, lyrical book that captures the reader's imagination from the opening pages and holds it through and past the last pages. I read the sequel, The Knowledge of Water, almost immediately because Reisden and Perdita haunted me so. The story begins with a man, a scientist by profession and a Baron by lineage, who is adrift and uncentered years after the death of his young wife. A death for which he feels entirely responsible. Juxtaposed with his story to find himself again is the story of literally finding one man's identity. The mystery is that he may be the heir to an American fortune. The heir disappeared immediately after presumably witnessing the brutal murder of his guardian grandfather. Who killed the grandfather and why? What happened to the child? Why does the Baron have no memories of his earliest childhood years? A taut, psychological suspense mystery unfolds as the Baron ! relunctantly agrees to "help" solve the mystery but is unable to remain as detached and clinical as he would like. The story is a mystery, a romance and a thriller that is both haunting and illuminating. The author has promised a trilogy and I cannot wait for the third installment. Read The Vanished Child and The Knowledge of Water--you will not regret it.
6 of 6 people found the following review helpful.
Very enjoyable!
By Jan McGreger
Although the scientific jargon of the opening pages almost changed my mind about reading "The Vanished Child," I trudged through and found one of the most intriguing mysteries I have ever read.
Alex or Richard? Is the up-and-coming young scientist an Austrian baron or a missing American heir? A fortune depends on his identity and more is at stake than money. This tangle of intrigue is intelligent and somewhat haunting. One reviewer complained that not all of the loose ends were tidied up and that is true, but it leaves you thinking and involved long after the final "The End."
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