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King Arthur is a legendary British leader who, according to medieval histories and romances, led the defence of Britain against Saxon invaders in the late 5th and early 6th centuries AD. The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin.

• Published on: 2016-01-21
• Released on: 2016-01-21
• Format: Kindle eBook

About the Author
JAMES KNOWLES is Professor of Early Modern Literature at the University of Keele.

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131 of 136 people found the following review helpful.
An excellent and readable introduction to Arthurian legends!
By Godly Gadfly
Who hasn't heard of King Arthur and the knights of his Round Table? In this book you meet them all - including the magician Merlin, and the brave knights Sir Launcelot, Sir Gareth, Sir Tristam, Sir Bors, Sir Kay, and Sir Galahad. All the old favorites are included - Arthur drawing the sword out of the stone, Arthur receiving the sword Excalibur from the Lady of the Lake, and Arthur's marriage to Guinevere. But this is just the beginning of excitement - followed by numerous quests and adventures of the knights, including the Quest for the Holy Grail. This book is chock-full of entertaining adventures involving knights in shining armour, damsels in distress, fierce jousting and sword fights to the death, battles against hoards of enemies and giants, tournaments and miracles.
The medieval setting is painted in a rather idealized fashion, limited to the nobility and figures of the court, who embrace all that is beautiful, brave and noble. These virtues are sometimes portrayed rather simplistically, as unknown knights engage in mortal combat, and only after they have virtually killed each other do the introductions begin: "What is your name?" Behind this medieval mayhem is a heightened sense of chivalry more reflective of legend than fact, where knights battle to the death for the sake of a woman - even one they have only just met. But isn't that what the Arthurian legends are all about? Nobody is under the illusion that they are to be taken too seriously. Journeying to Arthur's Camelot is a form of escapism - suspend your sense of disbelief, watch the flashing swords and fearful battles, and enjoy.
That's not to say that the Arthurian tales do not reflect any reality. Arthur's world is in many respects a real medieval world. Medieval beliefs in paganism and Christianity are evident throughout. Witchcraft and enchantment is presented as alive and deadly, and conversely the true religion - in this case the beliefs of the medieval Catholic church - is evident throughout as knights commend themselves to God in prayer, thank him for his help, and even repent from their sins. The whole notion of the Holy Grail is of course a very Christian tradition - although a tradition that represents more fiction than fact. And the moral virtues of justice, truth and right for which the honorable knights fight are still noble ideals of virtue today. Arthur's kingdom is presented as a kingdom blessed by the grace of God, a beacon of light symbolizing all that is good and true and right, and a worthy model for kingdoms in today's world because it revolves around timeless virtues. Tales that promote dignity, courtesy, courage, respect for right, respect for female dignity and purity are as ennobling as they are entertaining.
How much truth there is behind the Arthurian tales will always be the subject of debate. The fact remains that there is an extensive and confusing body of legend to wade through. In this work, Green has essentially followed Malory's fifteenth century classic "Morte d'Arthur." But unlike most other writers, such as Sir James Knowles, Green has made some significant improvements:
1. Firstly, the traditional Arthurian tales are a confusing mass of legends. But Green consciously weaves all the tales together as part of a single pattern. He needs to take some liberties with legend in order to achieve this, but these alterations are minor, and the end result is a plausible reconstruction with a clear development, revolving around the establishment of Arthur's kingdom, its climax with the successful quest for the Holy Grail, and subsequent downfall.
2. Secondly, most other collections slavishly follow the body of legend inherited by Thomas Malory. Green follows Malory in the main, but has researched the legends carefully for himself, and also incorporates some Arthurian legends not found in Malory.
These innovations of Green result in a very readable and successful version of the Arthurian tales, and yet one that does not significantly sacrifice faithfulness to legend. Those looking for a more historical reflection of the Arthurian tales would do well to turn to a version of Malory, such as that by Sir James Knowles. And those looking for a more developed and extensive modern version where the author has taken liberties beyond the original legends, would enjoy the classic work by Howard Pyle. But as a faithful, plausible and enjoyable introduction to the tales, you can't go wrong with this superb effort by Green.
Most readers looking to be introduced to the Arthurian legends need look no further than this collection by Green. It's not as grand as Malory, but it's a better read. There is no end to the accomplishments of sword and sorcery, adventures and quests. To our sorrow, Arthur's kingdom ends in darkness and disgrace, but not before it has shone with a wonderful and memorable light. Along with the tales of Robin Hood, the tales of King Arthur are the most exciting tales that British history has produced. This is the stuff of legend, and it's worth a read.

660 of 710 people found the following review helpful.
Not the version I would suggest
By T. Simons
It's curious to me that this is the best-selling version of the King Arthur story in the kindle store, because it's a singularly flawed collection, well-eclipsed by other variants that are also available for free online; I suspect its popularity is an artifact of the search engine, not the book's own merits.

The author, Sir James Knowles, was an architect and friend of Tennyson, best known for founding the Metaphysical Society; this is, therefore, a very Victorian Arthur. In this case, "victorian" means "bowdlerized to the point of inanity." The story of Merlin's enchantment of Uther and Igraine to arrange Arthur's conception is almost completely elided ("When Uther, therefore, was at length happily wedded" -- yep, that's the whole story); Sir Tristram is apparently completely chaste with Iseult (King Mark just doesn't like him for some indiscernible reason) and even when Lancelot and Guinevere are caught together and the entire course of the story turns on adultery, such that bowdlerization was completely impossible, Gawain suggests that "it may well be that Lancelot was in her chamber for no evil." The story of Sir Gawain and the Green Knight is simply not included at all.

I suppose that kind of bowdlerization might be acceptable in a children's version of the Arthur stories, but this edition isn't good for that either, for two reasons: 1) like many free kindle ebooks, all illustrations have been removed, and 2) it's a kindle edition, and who gives a $250 ebook reader to a child too young to read a story with adultery in it?

There are other problems also. The King of Gaul (Sir Bors) is an ally for the first third and last third of the book, but in the middle, Gaul has a different king, Flollo, and Arthur conquers Gaul six ways from Sunday (mostly as a stopover in his conquest of Rome); timelines don't add up; so on, so forth. I didn't feel the author did a good job of telling the Arthur legends, in any particular. In short, this is a bad version of the King Arthur story and the general reader would be better off not wasting time on it.

I'm sure people are going to say "hey, it's an early victorian version, don't hold it to such high standards," but there's no reason for a modern reader to read these, any more than there's reason to read Sir Thomas Bowdler's "Family Shakespeare". For more "historical" versions of the Arthur legend, either of this versions' main source materials -- Geoffrey of Monmouth's _History of the Kings of Britain_ or Sir Thomas Malory's _Morte D'Arthur_ -- are superior reads (though I'll admit you'd want to skim Monmouth heavily). My own personal favorite, Howard Pyle's three-book version of the Arthur story ("The Story of King Arthur and His Knights," "The Story of the Champions of the Round Table," and "The Story of the Grail and the Passing of Arthur") is similarly available for free online in the public domain, can be found with excellent illustrations by Pyle himself, is written in a fashion suitable for children and adults, and does a far better job of capturing the romance of the Arthur legends.

But whatever version you pick, this one is a poor place to start. It does have some strengths -- chiefly an encylopedic compilation of at least some version of almost every PG Arthur-related tale -- but the author's victorian mores seem to have twisted far too many of the stories into unrecognizability. Not recommended.

85 of 91 people found the following review helpful.
A dignified and beautiful introduction to the legends
By J. Angus Macdonald
I have loved the tales of Camelot since I was quite small. Due to this, several friends have asked me where they should begin. Over and over again, I recommend Green. His work is not majestic like Malory, but much easier to read and follow, especailly for a neophyte. Children love it, as do adults; this book gives the basic nobility of the tales, giving a good clue as to why they've been so popular for so long. Green also includes several tales of Sir Gawain, so he is not the near-felon he seems in several late medieval texts. The books is charming, moving, sad, happy, and everything else you could wish from Camelot. If you haven't read of Arthur before, begin here; if you want to remember why you loved these tales to begin with, read Green. He provides more than you would ever expect.

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Rachel Wicks

London, 1847.

Honest and hardworking, Rachel Wicks had spent virtually all her life in Pot’s Landing Workhouse. But now her life was about to radically change. She made a deal with a gentleman, Mr. Emerson Blackburn, that she would marry him in order that he might come into his inheritance, in exchange she would have a chance to liberate herself and those she loved from the miseries of the workhouse.

Her life above stairs was grim, however, for Blackburn’s staff would not let her forget her origins. She must face the ordeal of being presented in public. She must face the expected wrath of Mr. Francis Blackburn, Emerson’s father. And then there was the exposure of Emerson’s true nature.

Determined to stick to her bargain, Rachel seemed confounded at every turn by betrayal, spite and jealousy. Until she met Emerson’s best friend, the handsome Thomas Archer…

• Sales Rank: #2671228 in eBooks
• Published on: 2016-01-26
• Released on: 2016-01-26
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
"RACHEL WICKS" (REVIEW)
By GMTA Publishing
"RACHEL WICKS" BY DOREEN MCNICOL

I finished Doreen McNicol's, "Rachel Wicks" and I am still amazed! There were so many emotions brought forth by this book that I am surprised I can still think straight! Doreen McNicol's storytelling is phenomenal and it truly feels as if you have been transported to that time in England where workhouses for the poor were prominent, families were split apart, and no one seemed to care. Rachel Wicks is a woman now, having gone to the workhouse at the young age of 6 when her mother could no longer care for her, she was taken from her mother's side and forced to live in an overcrowded attic room with other children only able to see her mother once every two months. It was not long after her mother contracted typhoid fever and died.

Suddenly Rachel meets Mr. Blackburne and he makes a rather alarming request of her. She agrees but only for her own reasons. This story does not progress or end as you would expect which is something I found refreshing. There are far too many stories these days that seem to begin and end in the same way, I can honestly say that Doreen's story is completely unique and written in such a way you can feel the emotions of her characters as you take this journey with Rachel. I loved this book! Absolutely loved it and I know you will too!

Kitty Bullard / Great Minds Think Aloud

0 of 0 people found the following review helpful.
A stout heart and courage
By R. Nicholson-morton
Doreen McNicol has created a strong character in Rachel. She sheds more tears in her new home than she ever wept at the workhouse. Yet, she isn't weak. Lonely and bullied even by the maids, she stoically keeps her word for the sake of her promise to those unfortunates left in the workhouse.

This Victorian romance shows only too well that the path of true love is not smooth or straight. Despite her travails, Rachel possesses a stout heart and the courage to do what is right.

0 of 0 people found the following review helpful.
Not your average, 'Boy Meets Girl' book!
By Kimberly Cowley
In Rachel Wicks, the writer has brought her characters to life. From the very beginning you feel for Rachel and her plight, but sympathy gives way to respect. You cheer her successes and want her enemies to fall. It's a page turner of a book and I read mine in almost one sitting. While drinking tea, making dinner.... It's a must read. There will be so much more from this writer. This is just the beginning!

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From his tower, the Muezzin calls the faithful to prayers. Every morning, after praying and sipping his hot black tea, Rami, a Muslim of Palestinian descent, goes to work as an apprentice baker in Beirut. His father disappeared when he was only three years old, leaving him with an ill mother and younger sister to take care of. He meets Dalal, a Christian, and the two fall in love for the first time. They each promise to remain faithful to each other until death does them apart. To their luck, it’s 1975, and Lebanon enters its deadliest civil war to date. The country becomes divided between Christians and Muslims, and in consequence, the two lovers are separated between an invisible line that claimed the lives of many who tried to cross it. Will they dare? Will each of them be able to keep the promise they had made? A heartbreaking story, A Promise is an emotionally thrilling debut that paints the effect of a civil war on two ordinary lovers who find themselves entrenched in the middle of a conflict they have nothing to do with.

• Sales Rank: #5534366 in Books
• Published on: 2016-01-08
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .85" w x 5.25" l, .85 pounds
• Binding: Paperback
• 338 pages

About the Author
Antonio Roy is a graduate of the University of Ottawa, where he majored in conflict studies and human rights and minored in political science. Originally from Lebanon, Roy currently resides in Canada.

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0 of 0 people found the following review helpful.
I enjoyed it tremendously
By krissy rios villegas
This was a first-time read for myself for this author. I enjoyed it tremendously. A Promise was written in a way that connected me to the characters and my heart was moved as they each dealt with their own triumphs or trials. There are no others words except....it is a book that each should experience for themselves, I'm glad I did.

0 of 0 people found the following review helpful.
Thrilling read
By Derrick Brown
A captivating storyline that enabled you to connect with the emotions of the characters and vividly picture what you were reading as if you were watching it all happen - submitted on behalf of Janay Brown

0 of 0 people found the following review helpful.
Excellent book. Highly recommended.
By CA
Great book. I read it within 3 days. I couldn't put it down. Highly recommend it. The author definitely knows how to immerse you in the storyline.

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A dynastic tale of two families—the Gerrards and Leiders—as seen through the eyes of four women whose lives are bound by blood and friendship, and interwoven with the destiny of Houston, Texas, for over 70 years.

• Sales Rank: #347429 in eBooks
• Published on: 2016-01-12
• Released on: 2016-01-12
• Format: Kindle eBook

From Publishers Weekly
Morris's (Galveston eyes are again on Texasthis time, to observe the rise of Houston and two of its founding families. Narrated by four women whose histories span the past 100 years, the novel offers a summary view of King Cotton deposed by oil barons and a more intimate one of cotton-headed maidens triumphing over a host of smarmy men. Alvereda's father keeps her at home just to reject her. Though she marries kindly Neal Gerrard, she must fight off the sexual advances of his business partner, David Leider. Leider has locked himself into a loveless marriage, an act which is to become a family tradition. His daughter Elzyna thinks her husband is trying to kill her, while her daughter, Senta, has one who almost succeeds. Only Robin manages to break the mold by marrying a Gerrard of the '60s who, unlike his relatives, is not into knives or poison. The characters here seem to speak with a single voice, shorn of local color, which uses such slang as "swell" or "phony" in both 1887 and 1960a voice whose lack of fiber eventually flattens the events it describes.
Copyright 1986 Reed Business Information, Inc.

From Library Journal
This is a four-generational story of two Houston families. It is narrated by four women, beginning in 1879 with Alvareda, who tells of her escape from a brutal father to a long, happy marriage with Neal Garrard. Garrard's business partnership with David Leider, a former neighbor of Alvareda, begins the web of greed, lust, and envy that snares both families for nearly a century. An all-pervading pessimism becomes more intense as the novel progresses, and the negative characters outnumber and overshadow the positive. Brutal husbands and manipulating wives and daughters lend tension to the plot, but when a husband and wife plan to kill each other and a cousin kills one family member, wounds another, and sexually molests a young niece, the reader's credulity is strained. For large fiction collections only. Joan Hinkemeyer, Englewood P.L., Col.
Copyright 1986 Reed Business Information, Inc.

Review
“A fascinating multi-generational story that is full of intriguing twists and turns.” —Booklist
 
“Excellent . . . Believable . . . Meticulously constructed.” —Anniston Star (Alabama)

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8 of 9 people found the following review helpful.
Find a copy of this book and read it!
By Melanie M. Amodeo
This is a wonderful book! Each chapter focuses on a different character and each time I'd finish a chapter I'd think that I didn't want to read about the next person, but it just got better and better. This is a long book, but I couldn't put it down and read it in two days.

0 of 0 people found the following review helpful.
worth the read
By Texgal
I enjoyed the book, and passed it along to a friend. I like the author's style of writing, however, I would love the be a proof reader for her - oh, the typos!

0 of 0 people found the following review helpful.
LOVE this author
By Amazon Customer
LOVE this author, but I enjoyed Galveston and Keeping Secrets more than Wives and Mistresses. I would read anything she wrote!

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Tenth century Spain.

Cordoba, the capital of Moorish Spain is at the centre of a power struggle in the medieval world.

With its diverse population of Muslims, Christians and Jews, political and religious rivalries are never far from the surface in the city.

After a tense chess match between high ranking officials, one of the players, Aiden - a Christian professor of mathematics at the university - is found murdered.

With the threat of an international war at stake if the crime isn’t solved, the Caliph’s Jewish Vizier, Hasdai ben Shaprut, finds himself in a race against time to catch the killer.

Each of the chess players comes under scrutiny and it isn’t long before another murder is committed.

As the plot thickens will the answer slip through Hasdai’s fingers?

Or will he manage to Checkmate the killer?

‘Checkmate’ is a novel of murder, chess, astronomy and political intrigue set amongst the palaces and mosques of 10th century Cordoba. It is perfect for fans of C.J. Sansom.

'Brilliantly plotted and rich in period detail.' - Robert Foster, best-selling author of 'The Lunar Code'.

'A gripping historical mystery.' - Tom Kasey, best-selling author of 'The Dante Conspiracy'.

Mark Dewar has a fascination for Spain in the time of the Moors, Al Andalus, and for crime fiction. This is his first novel.

Endeavour Press is the UK's leading independent digital publisher.

• Sales Rank: #2029270 in Books
• Published on: 2016-01-20
• Original language: English
• Dimensions: 9.00" h x .62" w x 6.00" l,
• Binding: Paperback
• 274 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
A fine Andalusian mystery
By Dennis Childs
This is an atmospheric tale of dirty deeds in tenth-century Moorish Andalusia - a great read, and a well-crafted plot.

1 of 1 people found the following review helpful.
Gives a good sense of period aand place without intrusive info dumps
By Erilar
Really interesting mystery. Gives a good sense of period aand place without intrusive info dumps. Interesting set of characters.

0 of 0 people found the following review helpful.
This is a great read.
By Robert Yeager
This is a great read. I was looking for something that would keep me firmly implanted in my reading chair and this book certainly fits the bill. Great mystery, loads of atmosphere but maybe the most important is mr. Dewar is a terrific writer. Looking forward to his other books.

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** Free PDF Blood Eye (Raven), by Giles Kristian

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In a thrilling adventure of brotherhood, warfare, and treachery, Giles Kristian takes us into ninth-century England, a world of darkness, epic conflict, and an unforgiving God served by powerful priests. On ships shaped like dragons, bristling with oars and armor, Jarl Sigurd and his fierce Norsemen have come in search of riches. And riches they are promised, by an English ruler who sends Sigurd and his wolves to steal a holy manuscript from another kingdom.

Osric, an orphan boy, sees beyond the terror of these warriors, and somehow knows the heathens’ tongue. Renamed Raven, rechristened in blood, he will join them. They are his people. And they will be his fate.

• Sales Rank: #8066368 in Books
• Published on: 2016-01-19
• Formats: Audiobook, MP3 Audio, Unabridged
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x .50" w x 5.25" l,
• Running time: 12 Hours
• Binding: MP3 CD

Review
"A powerful, lightning-paced tale of the Norsemen in England; an astonishing and riveting debut."
— Bernard Cornwell

About the Author
Simon Prebble has worked extensively on British and American television as both actor and narrator.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

It was April. The lean days of fasting and the long months of winter had been forgotten with the full bellies of the Easter feast. The people were busy with the outdoor tasks that the icy winds had kept them from: straightening loose thatch, replacing rotten fences, replenishing wood stores, and stirring new life into the rich soil of the plow fields. Wild garlic smothered the earth in the shady woods like a white pelt, its scent whipped up by the breeze, and blue spring squill sat like a low mist upon the grassy slopes and headlands, stirred by the salty sea air.

Usually I was woken by Ealhstan’s mutterings and one of his bony fingers digging into my ribs, but on this day I rose before the old man, hoping to be away catching a fish for our breakfast before having to suffer his ill temper. I even imagined he might be pleased with me for being at the task before the sun reddened the eastern horizon, though it was more likely he would begrudge my being awake before him. Fishing rod in hand and wrapped in a threadbare cloak, I stepped out into the predawn stillness and shivered with a yawn that brought water to my eyes.

“The old goat got you working by the light of the stars now, has he?” came a low voice, and I turned to make out Griffin the warrior leading his great gray hunting dog by a rope that was knotted so that the animal choked itself as it fought him. “Keep still, boy!” Griffin growled, yanking the rope viciously. The beast was coughing, and I thought Griffin might break its neck if it did not stop pulling.

“You know Ealhstan,” I said, holding back my hair and leaning over the rain barrel. “He can’t take a piss before he’s had his breakfast.” I thrust my face into the dark, cold water and held it there, then came up and shook my head, wiping my eyes on the back of my arm.

Griffin looked down at the dog, which was beaten at last and stood with its head slumped low between its shoulders, looking up at its master pathetically. “Found the dumb bastard sniffing around Siward’s place just now. He ran off yesterday. First time I’ve laid eyes on him since.”

“Siward’s got a bitch in heat,” I said, tying back my hair.

“So the wife tells me,” Griffin said, a smile touching his mouth. “Can’t blame him, I suppose. We all want a bit of what’s good for us, hey, boy?” he added, rubbing the dog’s head roughly. I liked Griffin. He was a hard man but had no hatred in him like the others. Or perhaps it was fear he lacked.

“Some things in life are certain, Griffin,” I said, returning his smile. “Dogs will chase bitches, and Ealhstan will eat mackerel every morning till his old teeth fall out.”

“Well, you’d better dip that line, lad,” he warned, nodding southward toward the sea. “Even Arsebiter here has less bite than old Ealhstan. I wouldn’t get on the wrong side of that tongueless bastard for every mackerel the Lord Jesus and His disciples pulled out of the Red Sea.”

I looked back to the house. “Ealhstan doesn’t have a right side,” I said in a low voice. Griffin grinned, bending to rub Arsebiter’s muzzle. “I’ll bring you a codfish one of these days, Griffin. Long as your arm,” I said, shivering again, and then we parted ways, he toward his house and me toward the low sound of the sea.

A pinkish glow lay across the eastern horizon, but the sun was still concealed and it was dark as I climbed the hill that shielded Abbotsend from the worst of the weather blowing in from the gray sea. But I had walked the path many times and had no need of a flame. Besides, the old crumbling watchtower stood visible at the hilltop as a black shape against a dark purple sky. Folk said it was built by the Romans, that long-­disappeared race. I did not know if that was true, but I whispered thanks to them anyway, for with the tower in sight I could not lose my way.

My mind wandered, though, as I considered taking a skiff beyond the sea-­battered rocks the next morning to try to catch something other than mackerel. You could pull in a great codfish if you could get your hook to the seabed. Suddenly, a metallic tock stopped me dead and something whipped my eyes, for an instant blinding me. I dropped to one knee, feeling the hairs spring up on the back of my neck. A guttural croak broke the stillness, and I saw a black shape swoop up, then plunge, settling on the tower’s crumbling crown. It croaked again, and even in the weak dawn light its wings glinted with a purple sheen as its stout beak stabbed at its feathers. I had seen similar birds many times—­clouds of crows that swept down to the fields to dig for seeds or worms—­but this was a huge raven, and the sight of it was enough to freeze my blood.

“Away with you, bird,” I said, picking up a small piece of red brick and throwing it at the creature. I missed, but it was enough to send the raven flapping noisily into the sky, a black smear against the lightening heavens. “So you’re scared of birds now, Osric?” I muttered, shaking my head as I crested the hill and made my way through stalks of pink thrift and cushioning sea campion down to the shore. A damp mist had been thrown up to blanket the dunes and shingle, and a flock of screeching gulls passed overhead, tumbling down into the murk, leaving behind them a wake of noise. I jumped across three rock pools full of green weed, the small bladders floating at the surface, then onto my fishing rock, where I knocked a limpet into the sea with the butt of my rod before unwinding the line.

After the time it takes to put a keen edge on a knife, nothing had taken the hook, and I thought about ­trying another spot where I had once pulled in a rough-­skinned fish as long as my leg with wicked, sharp teeth. It was then that I caught a strange sound amid the rhythmic breathing of the surf. I wedged the rod in a crevice, the line still in the sea, and scrambled higher up the rocks above the shingle. But I saw nothing other than the sea-­stirred vapor, which seemed alive, like some strange beast writhing before me, concealing and revealing the ocean time and again. I heard only the shrieks of white gulls and the breaking waves and was about to jump down when I heard the strange sound again.

This time I froze like an icicle. My muscles gripped my bones rigid. The breath caught fast in my chest, and cold fear crept up my spine, prickling my scalp. The thin hollow note of a horn sounded again, and then came the rhythmic slap of oars. As if conjured from the spirit world, a dragon emerged, a wooden beast with a belly of clinkered strakes that flowed up into its slender neck. The monster’s head was set with faded red eyes, and I wanted to run but was stuck to the rock like the limpets, fixed by the stare of a great bearded warrior who stood with one arm around the monster’s neck. His beard parted, revealing a malicious smile, then the boat’s keel scraped up the shingle with a noise like thunder, and men were jumping from the ship, sliding on the wet rocks and falling and splashing into the surf. Guttural voices echoed off the rocks behind me, and my bowels melted. Another dragon ship must have beached farther down the shore beyond Hermit’s Rock. Men with swords and axes and round painted shields stepped from the mist, their war gear clinking noisily to shatter the ­unnatural stillness. They gathered around me like wolves, pointing east and west, their hard voices rousing shrieks from gulls overhead. I mumbled a prayer to Christ and His saints that my death would be quick as the warrior from the ship’s prow stepped up and grabbed my throat. He shoved me at another heathen, who gripped my shoulder with a powerful hand. This one wore a green cloak fastened with a silver brooch in the shape of a wolf’s head. I saw the iron rings of a mail shirt, a brynja, beneath the cloak, and I retched.

Now, after all these years, I might essay a few untruths. I doubt any still live who could prove my words false. I could say that I stuck out my chest and took a grip on my fear. That I did not piss myself. But who would believe me? These outlanders leaping from their dragons were armed and fierce. They were warriors and grown men. And I was just a boy. A strange and frightening magic fell across me then. The outlanders’ sharp language began to change, seemed to melt, the percussive clipped grunts becoming a stream of sounds that were somehow familiar. I swallowed some of the fear, my tongue beginning to move over those noises like water over pebbles, awakening to them, and I heard myself repeating them until they became no longer just noises but words. And I understood them.

“But look at his eye, Uncle!” the man with the wolf brooch said. “He is marked. Ódin god of war has given him a clot of blood for an eye. On my oath, I feel the All-­Father breathing down my neck.”

“I agree with Sigurd,” another said, his eyes slits of suspicion. “The way he appeared in the mist was not natural. You all saw it. The vapor became flesh! Any normal man would have run from her.” He pointed to the ship with its carved dragon’s head. “But this one stood here as if he was . . . as if he was waiting for us. I want no part in his death, Sigurd,” he finished, shaking his head.

I prayed they would not see the fishing rod in the crack in the rock, and I hoped the mackerel were still asleep, for mackerel fight like devils and if one took my hook, the line would jump and the heathens would see me for what I was.

“I can help you,” I spluttered, buoyed suddenly by the hope that the outlanders were lost, blown off course on the way to who knew where.

Most helpful customer reviews

32 of 34 people found the following review helpful.
"The Norns of Fate are weaving still, and I was a Norseman now"
By Ronin
I ordered this book from amazon.uk because I did not see it available at the time. Looks like it is available in the US now, which is great.

I found the 1st 50-pages torturous, as I slogged through a young writer's plodding character development. Once our main man takes to a long ship, the story picks up and I slew the book in 2-days. The story takes place around 790 AD, which is largely considered the start of the Viking Age, though it likely began considerably sooner. It begins with an outcast, our main man, in a small English coastal dung-hole of a village who does not remember his childhood. I'm not sure but it could be loosely based on the early Viking raid on the monestary at Lindisfarne.

Raven has to pay his dues before he is accepted into an elite band of raiders. Eventually the teach him their fighting arts and he discovers a natural talent for war as he adventures across Wessex and Mercia. At times the story gave me deja vu, like I was back with Bernard Cornwell's Uhtred. Then there is the ship "Fjord Elk"; great name for a ship but it transported me straight back to Robert Low's "The Whale Road".

One nice thing I can say is, while some of the sentence structure could use some work, the book is well edited. One small grievance with these English writers, you need to join with the rest of the world and differentiate between "corn", an New World food, and wheat, what you are actually referring to. Its kind of like stubbornly insisting on driving on the wrong side of the road, which the rest of the world has rejected.

The book is filled with graphic violence, and profanity that was often so colorful I had to wonder as to the historical realism. Once the adventure got going it kept my attention and on balance I thought this was an excellent first novel filled with lots of good characters. I plan to start book II tonight. Enjoy.

53 of 63 people found the following review helpful.
Not good enough
By Sven
Being a Norwegian who reads allot of historical fiction I decided to read this book. I'm sorry to say I was disappointed.

Many compare this book to Bernard Cornwells books, but where Cornwell is a brilliant writer and storyteller who portrays vivid characters with depth, Kristians characters are mostly extraordinarily one-dimensional.

The Vikings laugh, kill and drink. They are all supreme fighters and they keep mentioning the gods at every possible opportunity. Then they laugh some more, kill some more and drink some more, before they yet again show of their supreme fighting skill, deftly followed with a mention of the gods. Further on in the story they do it all again, and again, and again.....repeat sequence seven times or so, and you will essentially have read the story. Skirmish heaped on drinking heaped on skirmish heaped on boring plot heaped on skirmish heaped on drinking. In an effort to try to compare it with something equally monumentally boring and repetitive, the first thing that comes to mind is the TV-show "The Pacific", whose characters possibly outfight Kristians characters in terms of lack of depth and personality.

Bernard Cornwell has given us characters like Uther of Bebbanburg, Lord Derfel Cadarn and Nicolas Hook. Persons with doubts, fears, love and hate. On top of this Cornwell dives rather more into the politics, ideas and bigger picture of the time. All this he succeeds in mixing beautifully into exciting books. Kristian has mostly succeeded in portraying a bunch of staggering alcoholics and sociopaths(come to think of it, it's possibly an even bigger feat not to manage to get something entertaining out of that mix) to the degree that I must wonder how much Mr. Cornwell actually was paid to recommend this book.

However, I can not speak for the last 30 pages or so, because by that time I simply was not interested in reading the end. To put down a book before I have read it to end has only happened two times before in my life, and I have read allot of books. That sums it up for me, you do the rest of the math.

4 of 4 people found the following review helpful.
Disappointed
By TarHeelFan
I read a great deal of historical fiction and was disappointed that Bernard Cornwell, one of my favorite authors, gave it a glowing cover quote. I have heard that authors don't actually read books when they offer a quote and that seems to be the case. Although I applaud writers for taking on the Viking era and any historical combat novel, this one was tough a tough slog. I ordered it to the US from the UK and was excited to start it so am doubly disappointed after paying so much for shipping.

The writing is choppy and on multiple occasions I had to reread sections to track the author's point, which more often than not, was not worth the effort. The characters were weak and the book lacks the pacing and tight plotting that makes Cornwell and Iggulden so incredible.

I hope this author keeps trying but this was not the work of a pro. I am dropping it before finishing and will give the new one by Steven Pressfield a try.

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# Download Bonnie Prince Charlie : a Tale of Fontenoy and Culloden, by G. A. Henty

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G.A. Henty was a 19th century British novelist known for historical action and adventure books, many of which were best sellers in his day. Even today, classics like The Dragon & The Raven (1886), For The Temple (1888), Under Drake's Flag (1883) and In Freedom's Cause (1885) are still widely read.

• Sales Rank: #3633730 in Books
• Published on: 2016-01-08
• Original language: English
• Dimensions: 9.00" h x .44" w x 6.00" l,
• Binding: Paperback
• 192 pages

About the Author
George Alfred Henty (8 December 1832 – 16 November 1902) was a prolific English novelist and war correspondent. He is best known for his historical adventure stories that were popular in the late 19th century. His works include The Dragon & The Raven (1886), For The Temple (1888), Under Drake's Flag (1883) and In Freedom's Cause (1885).

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5 of 7 people found the following review helpful.
Ronald Leslie's story: a story of bravery
By A Customer
As Henty points out in his preface it is perhaps better that Prince Charles' attempt to win back his father's throne failed. For if the end of the battle had been different at Culloden it "might have been followed in time by another revolution, another expulsion of the Stuarts..." The hero in this story is Ronald Leslie, who as a young child is smuggled out of France, and from out of the clutches of the king of France. For Ronald's father, a young soldier, had married the daughter of Marquis de Recambours. The Marquis is a noble who objected strongly to his daughter's association with a common soldier, and in fact was not even told of what had taken place. When the Marquis learned what his daughter had done, she was shut up in a convent and Colonel Leslie was put in a dungeon. Ronald grows up in the household of Andrew and Janet Anderson, whose brother had escaped with Ronald out of France. Suspicions are aroused against Ronald when he warns a Jacobite leader of the police who are coming to get him. But Ronald manages to keep out of farther trouble, with Andrew's help. Time goes on, and before long Ron and Malcolm are off to find out if Ron's father is still alive, and to see about rescuing him and his wife. But danger threatens, and after dueling with Duke of Chateaurouge Ronald must fly. So it is that the two become mixed up in Prince Charles fight for the throne of James the second. This is an exciting story, and also an excellent history lesson about Britain's history.

0 of 0 people found the following review helpful.
Good story. Henty is historically accurate
By Amazon Customer
Good story. Henty is historically accurate. In his writings.

0 of 0 people found the following review helpful.
Five Stars
By Russ Clark
GA Henty. Superb, accessible history, eloquently written.

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