Rabu, 10 Juni 2015

~~ PDF Ebook Ensayo sobre la lucidez / Seeing (Spanish Edition), by José Saramago

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Ensayo sobre la lucidez   / Seeing (Spanish Edition), by José Saramago

Durante las elecciones municipales de una ciudad sin nombre, la mayoría de sus habitantes decide individualmente ejercer su derecho al voto de una manera inesperada. El gobierno teme que ese gesto revolucionario, capaz de socavar los cimientos de una democracia degenerada, sea producto de una conjura anarquista internacional o de grupos extremistas desconocidos. Las cloacas del poder se ponen en marcha: los culpables tienen que ser eliminados.

ENGLISH DESCRIPTION

What would happen if an entire population decided to cast a blank vote in their town elections? In this new novel, a policeman and the woman who was able to maintain her sight in the novel Blindness, are samples of the moral heights that these anonymous citizens are able to reach when they decide to exert their freedom. Saramago, a writer who has become the awakening conscience of a time blinded by the mechanisms of power, sends out an alert: There may be a day when we will have to ask, Who has signed this in my name? That day may very well be today.

  • Sales Rank: #792212 in Books
  • Published on: 2016-01-26
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 7.40" h x .90" w x 4.90" l, .0 pounds
  • Binding: Paperback
  • 416 pages

Most helpful customer reviews

11 of 13 people found the following review helpful.
A first-rate addition to Saramago's works
By T. Stroll
I hated to see the remaining pages of "Essay on Lucidity" dwindle, so much did I enjoy reading every word of Saramago's latest novel. This is a first-rate addition to the upper tier of Saramago's works.

In the Nov. 8, 2004, issue of "The American Conservative" magazine, the managing editor, Kara Hopkins, advocated not voting in the pending presidential election. "Silence is a profound expression," she argued, "and enough unraised voices eventually turn even the most partisan heads." "Elections," she contended, "maintain the illusion of opposing parties exchanging ideas rather than political animals competing for power. Selling voting as the ultimate expression of citizenship . . . legitimizes the process that keeps them in control and makes the public docile by enforcing the notion that we rule ourselves."

It is as if she read Saramago's mind, or vice-versa. In "Essay on Lucidity," some 70 percent of the residents of the capital of an unnamed country (presumably European, but, Saramago announces sardonically, not Portugal) turn in blank ballots in an election, refusing to vote for the Party of the Right, the Party of the Center, or the Party of the Left. The government, dominated by unsavory and unprincipled authoritarians, is horrified that the façade of democracy has broken down and orders the election to be reheld. But the percentage of blank votes is higher than before.

The government's reaction, though often fumbling, is vicious and lethal. It uses various Orwellian techniques and, as it deems necessary, violence to punish the capital's residents and try to return them to the fold. Saramago narrates events at a languid pace, sometimes using his long commentaries disarmingly to hide some horror that may be announced in a single sentence at the end of an anodyne, soothing paragraph.

This is a fable. It is not intended to be entirely realistic, and the reader must suspend disbelief at times. In the real world, a European country that took Draconian measures against its citizens for refusing to vote would be subject to various external sanctions and pressures and would have to back down. From 1993-1997 Canada tolerated having as its official opposition the Bloc Québécois, whose goal is to dissolve the country. But Saramago is so masterly a writer that he makes the implausible possible. The reader does soon ask, "Why would any government that observes the forms of democracy behave this way?" A plot twist that appears in the middle of the novel provides an answer. I've already seen too many reviews give it away, and I'm not going to follow suit.

In "Essay on Lucidity," Saramago continues his dance with the Portuguese language in ways that are charming. Even more than in "The Cave," his characters speak a Portuguese that is so formal as to exceed the tone of much formal writing. If anyone spoke this way in Brazil, he or she either would not be understood or would be regarded as mannered and pompous. That would probably also be true even in the most educated circles of Portuguese society. But Saramago's use of the King's Portuguese doesn't come across as pretentious; rather, it's a celebration of the outer reaches of classic Portuguese. I often think that Saramago's goal is to restore a full-fledged type of Portuguese that is fading, perhaps thanks to an onslaught of televised soap operas and the like. Like Shakespeare, whose facility with language and extraordinary vocabulary altered English forever, Saramago may succeed in elevating Portuguese to a language different from the form that preceded his literary career. That would have to be the supreme achievement of any writer of literature.

9 of 12 people found the following review helpful.
Inventando el enemigo
By Jose Oquendo
Todo comienza cuando en la capital sin nombre de un país cualquiera acostumbrado a escoger entre las vertientes que el proceso democrático occidental denomina derechista, centrista e izquierdista, una aplastante mayoría de los ciudadanos decidió votar en blanco, como una muestra de disconformidad con el régimen político que supuestamente los representa.

El resultado es cuestionado por quienes ocupan el poder, y convocan la celebración de una segunda votación, en la que los ciudadanos reafirman un mayor desencanto popular que en la primera. La cúpula gubernamental sospecha de una conspiración masiva en su contra, organizada por subversivos o anarquistas dispuestos a acabar con la idea de lo que consideran debe ser una democracia.

Un estado de emergencia es declarado, seguido de la formación de una red de espionaje para señalar quiénes habían votado en blanco y descubrir quiénes encabezaban la supuesta conspiración. Al no lograr avanzar en su investigación, el gobierno declara el estado de sitio y abandona la ciudad rebelde, como un castigo a los disidentes capitalinos, que se las ingenian para mantener la ciudad funcionando.

Durante una reunión de ministros, se propone una explicación que, después de un comienzo un tanto lento, hace que la trama adquiera velocidad: se intenta conectar la epidemia de ceguera de cuatro años atrás, con la epidemia del voto en blanco. Saramago ata así esta obra a su anterior, Ensayo sobre la ceguera, en la que solo una mujer quedó con vista.

Con la prensa, casi en su totalidad inclinada en favor del gobierno, se logra inventar al enemigo que no se tiene. Avanzando en la lectura, el lector logra entender que los votos en blanco no son otra cosa que una expresión ciudadana de insatisfacción con el funcionamiento de la democracia.

La primera parte de Ensayo sobre la lucidez avanza con la lentitud de un suero medicinal. Un lector que desconozca a Saramago, sus personajes y lugares sin nombre, y que no esté acostumbrado a la literatura sociopolítica que requiere mente alerta y abierta, puede abandonar la lectura en los primeros capítulos. La flojera inicial de elementos de acción y suspenso, esenciales estímulos para el lector que más que aprender tiene como propósito entretenerse, puede decepcionar a más de uno.

La política como tópico literario puede, y en este caso logra al menos durante las primeras 150 páginas, retardar el desarrollo de la novela. Si el lector regular logra pasar de ahí, cuando el suero exprime sus últimas gotas, proseguirá con la energía y curiosidad suficiente para motivarse a terminar las casi 400 páginas restantes.

En pleno siglo XXI, algo de esta obra me molesta. La mujer, ente imprescindible en las sociedades y gobiernos modernos, no obtiene el rol merecido que Saramago destacara en Ensayo sobre la ceguera. Aquí es relegada a un segundo plano, organizando la limpieza de las calles cuando el gobierno falla en hacerlo o cuando el autor trae de los pelos un final inesperado, necesitando un muerto. En este caso, una muerta.

Algunos críticos han sugerido leer primero Ensayo sobre la ceguera. Estimo que no es necesario. Saramago, a medida que va introduciendo elementos aparecidos en la anterior obra -como la presencia de la mujer que nunca perdió la vista-, se cuida de describirlos someramente.

Esta es una obra diferente y, como tal, debe promoverse.

2 of 3 people found the following review helpful.
Historia interesante, pero novela fallida
By leball_debab
Hacia el final de la novela uno de los personajes comenta una frase que podría sintetizar el sentido de la novela "Creo que no nos quedamos ciegos, creo que estamos ciegos, Ciegos que ven, Ciegos que, viendo, no ven", me parece que la novela, mas que narrar una historia que podría resultar trillada sobre una epidemia de ceguera que se expande por el mundo, nos presenta una fotografía un tanto apocalíptica de la humanidad, llena de defectos y vicios, que con la llegada de la epidemia se magnifican. Se nos presenta así un ser humano que no es capaz de organizarse como sociedad para resolver sus problemas, que se deteriora y entra en un círculo de descomposición, lleno de vicios y egoísmos, a la vez que nos presenta una imagen del poder autoritario e insensible. Es precisamente ese sentido de retórica ideológica lo que a mi gusto daña la novela, pues partiendo de un argumento que podría resultar interesante explotada por la exquisita narrativa de Saramago, la historia mas bien se enfrasca en describir y detallar una y otra vez, reiteradamente y hasta el cansancio imágenes de desesperanza y degradación de la sociedad, dejando atrás el desarrollo de la historia y los personajes. Como su nombre lo indica, esta historia asemeja más un ensayo literario, pero bien podría haberse escrito en la mitad de su extensión sin perder su impacto y sentido, y evitando ser tan reiterativa.

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Selasa, 09 Juni 2015

! Ebook Download The Secret Adversary: A Tommy and Tuppence Mystery (Tommy & Tuppence Mysteries), by Agatha Christie

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The Secret Adversary: A Tommy and Tuppence Mystery (Tommy & Tuppence Mysteries), by Agatha Christie

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The Secret Adversary: A Tommy and Tuppence Mystery (Tommy & Tuppence Mysteries), by Agatha Christie

From the brilliant pen of Agatha Christie comes the first novel in her Tommy and Tuppence mystery series featuring the beloved sleuthing duo—now a movie on both Acorn TV and PBS.

Tommy and Tuppence are young, in love… and flat broke. Restless for excitement, they decide to embark on a daring business scheme: Young Adventurers Ltd.—"willing to do anything, go anywhere." But they get more than they bargained for when their first assignment for the sinister Mr. Whittington draws them into a diabolical conspiracy.

It isn’t long before they find themselves plunged into more danger than they ever could have imagined—a danger that could put an abrupt end to their business…and their lives.

  • Sales Rank: #9009948 in Books
  • Published on: 2016-01-05
  • Released on: 2016-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .79" w x 5.31" l, .0 pounds
  • Binding: Paperback
  • 352 pages

Review
Praise for Agatha Christie: “Any mystery writer who wants to learn how to plot should spend a few days reading Agatha Christie. She’ll show you everything you want to know.” (Donna Leon, international bestselling author of the Commissario Guido Brunetti novels)

“Refreshingly original.” (Times Literary Supplement (London))

From the Back Cover

Now the Major TV Series Partners in Crime

From the brilliant pen of Agatha Christie comes the first novel in her Tommy and Tuppence mystery series featuring the beloved sleuthing duo.

Tommy and Tuppence are young, in love . . . and flat broke. Restless for excitement, they decide to embark on a daring business scheme:  Young Adventurers Ltd.—“willing to do anything, go anywhere.” But they get more than they bargained for when their first assignment for the sinister Mr. Whittington draws them into a diabolical conspiracy.

It isn’t long before they find themselves plunged into more danger than they ever could have imagined—a danger that could put an abrupt end to their business . . . and their lives.

“Agatha Christie proves that if you really are good enough, you can break all the ‘rules’ and still come up with a winner.” —Anne Perry, New York Times bestselling author of the Thomas Pitt and William Monk series of Victorian mysteries

About the Author

Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976.

Most helpful customer reviews

157 of 167 people found the following review helpful.
Well worth reading
By Chris Brooks
The Secret Adversary introduces Agatha Christie's characters of Tommy and Tuppence, an out of work young man and woman who decide to become "adventurers" out of a lack of anything better to do. They quite accidentally get sucked into an international mystery that reaches to the highest levels of British government.

This story takes place shortly after WWI, and there are a few obscure terms -- even to my British coworker -- but they don't hinder the enjoyment of the story. It is interesting to see attitudes and philosophies of early 20th English perspective.

It's Agatha Christie, one of the best-selling authors of the 20th century, so you can expect good work. The characters are well-written, the story is quite gripping, and the ending is satisfying (if a tad predictable). This made me want to read more Christie and more Tommy & Tuppence.

A little hint if you want it: Pay attention to the telegrams.

72 of 76 people found the following review helpful.
A Serendipitous Read
By Motley Wisdom
I have not been a big fan of the Tommy and Tuppence episodes on PBS' Agatha Christie series; however, this is a surprisingly well-written thriller even for Agatha Christie. The plot is convoluted, in a nice way, and the dialogue believable. I missed the mark completely in identifying the villain. Tommy and Tuppence are a nice break from Miss Marple and M. Poirot, and I recommend the book for anyone who enjoys Agatha Christie's style.

52 of 56 people found the following review helpful.
Crime before technology
By J
I've recently become addicted to crime shows and books. In the age of "24" and CSI and all these hyper-tech worlds, there's a novelty in going back to the 1920s when people left telegrams and couldn't track the bad guy on satellite-powered traffic cameras.

This version for Kindle doesn't have an active table of contents. However, I just make a bookmark at the beginning of each chapter, so I don't see what the big deal is. Thanks whoever made it available to us for free!

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Senin, 08 Juni 2015

~ PDF Ebook Born in Exile, by George Gissing

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Born in Exile, by George Gissing

George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.

  • Published on: 2016-01-10
  • Original language: English
  • Dimensions: 9.00" h x .69" w x 6.00" l,
  • Binding: Paperback
  • 306 pages

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

About the Author
English novelist, George Gissing, recognized for his realistic and honest portrayal of the lower middle class. His work is marked by his keen observation and an eye for detail. His imperative works are "Thyrza", "New Grub Street" and "In the Year of Jubilee".

Most helpful customer reviews

19 of 19 people found the following review helpful.
Our friend, the Charlatan.
By Austin Elliott
George Gissing is not a name most people would recognize as one of the great Victorian novelists.Though always admired by those who experienced his powerful and original work,he never achieved the wide readership that the critically underrated Trollope has,let alone the perennial favorites-the Brontes and Dickens.Even obviously lesser yet talented authors such as Wilkie Collins,Mary Elizabeth Braddon and Marie Corelli are certainly more read today than Gissing.Yet he was best English novelist(along with Thomas Hardy and Robert Louis Stevenson) of the late Victorian era with his unsparing realism and trenchant observations on class and manners filtered through a nervous and uncertain sensibility.His comparative obscurity may be due to the reputation his work has for being depressing(it is not)and his iconoclasm-he was an agnostic maverick whose criticisms of capitalism,religion and sex still will unease those seeking in Victorian literature an escape to simpler,kinder times.What is most remarkable about George Gissing(and sometimes most poignant)is that he had no set philosophy and was himself unable to extract concrete and assuring meanings from life even as he attempted to depict and explicate it."Born in Exile" tells the story of one Godwin Peake,a poor,socially insecure but brilliant college graduate whose yearnings to belong to the "respectable" world clash with his intellectual rejection of its conservatism. Peake,an atheist,shares little sympathy with his poor religious family and is humiliated by the "commoness" of some of his relations' work.Overly sensitive and with only his intelligence to support his pride,Peake happens to be invited to the home of a good natured but popular college hero,whose wealth and breeding expose him to a world he has only dreamed about.Peake there meets his kind studious clergyman father and beautiful graceful sister,and being subjected for the first time to respect,interest and charm,he begins to find himself doing anything to fit in-including initiating a series of lies to mask his radical opinions."Born in Exile" powerfully portrays the complexities of living a double life;its critical yet sympathetic treatment of its protagonist humanely examines the limited and cloudy choices of "this prison called life" and the merciless and clearcut repercussions that entail.In addition,"Born in Exile" is autobiographical-a similiar situation happened to Gissing in reality. George Gissing wrote many great novels in the 1890's-this is an excellent and memorable place(if you are a neophyte )to start. END

9 of 9 people found the following review helpful.
a slow yet thought-provoking slice of 1890s Britain..
By lazza
While Born in Exile is certainly a novel, it is actually a study of the spiritual/social upheavals during 1890s Britain. The aristocracy was losing its hold on power in the media, government and the church to the 'radicals', namely the emerging working class in democratic society. The main character in this novel is caught in the crossroads. On the one hand he aspires for the wealth and prestige found in the aristocracy, yet his background is humble and his spiritual beliefs are very modern (eg, he believes in evolution). His disgust of his working-class family and friends drive him to become a country 'gentleman' at all costs ... to the extent of becoming a complete charleton, abusing people's kind graces and forfeiting his own strongly-held religious beliefs. The end result is not entirely predictable.
Born in Exile is a very intense read. It does plod along with excessive philisophical bantering. But the second half does move along at a reasonable pace and, overall, it is a worthy read.
Bottom line: Gissing fans will love Born in Exile. George Gissing newbies should first read New Grub Street, his masterpiece.

3 of 3 people found the following review helpful.
Godwin Peak
By Robin Friedman
Just before publication in 1892, George Gissing changed the title of his novel to the evocative "Born in Exile" from the name of its primary character, the difficult, complex anti-hero, Godwin Peak. Although written after Gissing had made a name for himself with "New Grub Street" and other books, "Born in Exile" was a hard sell to the publishers. The book was rejected several times and nearly passed over. The book has remained little read over the years. Yet it is an extraordinary book, perhaps Gissing's best. For all its datedness, length and awkwardness, this book will reward careful reading.

The book is a detailed study of its title character and a novel of ideas. The book is among the first and the best novels to explore the relationship between Darwinism and geology and traditional religious beliefs. The book has much to say about sexuality, about the life of the mind, the erosion of values, social classes, and social change. Gissing seemed greatly influenced by Dostoevsky's "Crime and Punishment" and by Turgenev's "Fathers and Children" in writing "Born in Exile".

In some respects, Peak is modeled of Gissing himself and Gissing described the novel to a friend as "a book I had to write". Born, as was Gissing himself, to a struggling lower-middle class pharmacist, Peak is intelligent, broodingly introspective, skeptical, and rootless. He is ashamed of his origins. He both envies and scorns the upper classes and believes his intellectual gifts entitle him to a higher place. Thus Peak sees himself, in a phrase repeated several times in the book as "Born in Exile."

As a young man, Peak secures a scholarship to Whitelaw College where he distinguishes himself both in the sciences and in literature but cannot decide what he wants to do. In an odd but critical turn in the book, he leaves Whitelaw before his final year because his uncle proposes to open a cheap restaurant in the community and Peak believes this association with his uncle would shame him. He moves to London where he graduates from the London School of Mines, becomes a chemist, and falls in with a group of radical freethinkers and journalists. He has what seems to be the makings of a successful life. Peak is a skeptic and anonymously publishes an article "The New Sophistry" in a leading magazine which criticizes severely efforts to reconcile Darwinian science and geologic time with religion. The various types of arguments on all sides seem not much different from those in current debate.

Dissatisfied with his social position, Peak leaves London to try to ingratiate himself into the upper classes. Peak says to a friend in a key passage of the book that he does not believe women need to be intelligent or enlightened: women need to be sexual. And so Peak goes to look for a wife and self-destructs in the process. Peak meets a family with a landed estate, the Warricombs, whom he had known from his days at Whitelaw. The father of the family, Martin Warricomb, is a student of geology. Peak pretends to have shifted his career goals to become a minister in the Church of England. Peak ingratiates himself with Martin Warricomb, who is surprisingly liberal minded, by trying to show Warricomb the sincerity of Peak's beliefs and the compatibilty of religious traditionalism with scientific modernism. Peak is interested in Warricomb's daughter, Sidwell, lovely and reserved and religiously traditional and unadventurous. At first, Sidwell is something of a stand-in for class, rather than a person Peak loves for herself. As the story develops, Peak seems to develop something of a genuine love for Sidwell. And oddly, Sidwell comes to love Peak.

Peak lives with tension in his pursuit because he knows he is practicing deceit and living a lie. He is ashamed of doing so. Ultimately the truth comes out when Sidwell's brother Buckland, an old Whitelaw friend, discovers that Peak was the author of the anonymous article "The New Sophistry" which condemned efforts to reconcile religion and science. Buckland is himself a skeptic whose views are rough and not deeply considered but still are similar to Peak's and to modernity. Buckland has found his way to Peak's former small group of friends in London who are amazed that Peak is trying to pass himself off as a prospective clergyman. Buckland confronts Peak with what he has learned and tells Sidwell and Martin. Peak is disgraced and must leave Exeter. Even though she knows the truth, Sidwell still loves Peak. Her own religious and moral views have broadend under their acquaintance to something approaching free thought. Sidwell has achieved a substantial intellectual independence from her family and background. Before Peak leaves, the door is left open that they will marry if Peak establishes himself.

Peak is miserable and lonely but he receives a bequest from an intellectual woman, Marcella Moxey, who unreciprocatedly had long loved him. With his financial future secured, Peak writes Sidwell a love letter, the first time he has opened himself up, proposing marriage. After much anguish, Sidwell rejects Peak and terminates the relationship. For all her intellectual change, Sidwell finds she cannot leave her family and its estate. Rootless and alone, Peak sets out for travel on the continent where he apparently lives the short life of a rake, contacts a disease, and dies homeless and alone.

"Born in Exile" is a study of a modern type, an intelligent, rootless, and confusedly amoral individual, in the dress of late Victorianism. The novel explores the loss of traditional religious faith and the lack of any apparent standards to replace it. Gissing, himself a nonbeliever, did not see humanism, social activism, or other nostrums as providing an adequate substitute for religion. Hence his novels, particularly this one, have a pessimistic philosophical cast.

The book is long, with extensive passages of wordy dialogue and of introspective commentary, both of which are typical to Gissing. Other than the masterful portrayal of Peak, and to some extent the characterization and growth of Sidwell Warricomb, none of the other of the many characters and scenes are well-developed. It takes perseverance to read this book. For interested readers, perseverance will be richly rewarded. Although never likely to become popular, "Born in Exile" is a troubling and deeply perceptive philosophical exploration of modernity. Unfortunately, this book appears out of print. It richly deserves a new edition. I read this book in a Harvester Press edition from the mid-1980s with an introduction by the Gissing scholar Gillian Tindall.

Robin Friedman

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Huntingtower, by John Buchan

Dickson McCunn, a respectable, newly retired grocer of romantic heart, plans a modest walking holiday in the hills of south-west Scotland. He meets a young English poet and, contrary to his better sense, finds himself in the thick of a plot involving the kidnapping of a Russian princess, who is held prisoner in the rambling mansion, Huntingtower. This modern fairy-tale is also a gripping adventure story, and in it Buchan introduces some of his best-loved characters, including the Gorbals Die-Hards, who reappear in later novels. He also paints a remarkable picture of a man rejuvenated by joining much younger comrades in a challenging and often dangerous fight against tyranny and fear.

  • Published on: 2016-01-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .43" w x 6.00" l, .57 pounds
  • Binding: Paperback
  • 188 pages

About the Author
John Buchan, was a Scottish novelist, historian and Unionist politician. He spent most of his time on his writing career, notably writing The Thirty-Nine Steps, a spy-thriller set just prior to World War I and other adventure fiction. Some of his most famous novels Greenmantle, The Thirty-Nine Steps, Mr. Standfast, Prester John, Huntingtower, and The Half-Hearted are considered as all time best adventure novels.

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23 of 23 people found the following review helpful.
Saving a Kidnapped Russian Princess from a Rambling Mansion -- Part Dated But Enjoyable Adventure Tale
By T.NAKAJIMA
A lesser known John Buchan work, 'Huntingtower' (published in 1922) is still a very enjoyable adventure book in which a most unlikely person in the world of fiction plays the central role. He is Dickeson McCunn, newly retired gorcery shop owner, whose life has been very 'respectable.' Now, free from his business (and his wife being away from home), Dickson leaves the city to spend time walking in the countryside of Scotland.

But while visiting the village called Dalquharter, Dickson meets a young English poet Mr. Heritage, who tries to convince him that in the ruined mansion Huntingtower, a young woman is held against her will, and the poet claims that he knows her personally. Moreover, Heritage believes that the woman is a Russian princess. Unconvinced, Dickson refuses to take part in his 'rescue' plans ... at first.

The plot is vintage Buchan, with lots of actions (exciting and incredible ones), plus well-observed descritions of characters. Dickson is not as active or heroic as Richard Hannay, but the situation is similar to that of 'The Thirty-Nine Steps.' The difference is inclusion of historical references to the post-revolution Russia, and 'the Gorbals Die-Hards,' group of local kids who assist the jobs of Dickson. The colorful Scottish background is also attarctive.

The book is a thriller, but unlike 'Greenmantle,' it is not political. It's more like reading Scott or Stevenson, with sly and often comical commentary to the contemporary social situations here and there, such as deft description of one boy who recounts his experience joining in sociliast's meeting, thinking that it's a football club. And of course, Russian princess reminds us of the legend of Anastasia.

The book fails to be convincing when it tries to show the 'villains' who are only stock characters, and the idea of putting a respectable middle-class Glassgow grocery store owner does not work in the latter half of the book, in which Dickson McCunn is less interesting presence than the 'Die-Hards.' And you probably don't like the book's occasional derogatory commentary on certain group (especially Jewish people). Some of the values here are those of the 1920s, and they are clearly dated.

But the actions and the characters (if not all) are still good, and the narrator draws vivid sketches of people with clever and pithy wording. The catalogue of people Dickson meets on the road (including Heritage) is all lively, and the entire mood of the book is surprisingly optimistic. The book is readable and entertaining in a different way than Buchan's spy novels.

16 of 16 people found the following review helpful.
Romanticism vs Realism
By Losse
Huntingtower is a rare book and a pleasure to read. On one level it's a gripping adventure story. On another level it's a vindication of the overlooked characters of the thriller-world. The heroes here aren't soldiers, aren't highly-trained spies, aren't adventurers. They are a married, middle-aged grocer; an old lady; a gang of indomitable street-kids; a cynical poet; and a gang of disabled soldiers. And there's a dispossessed Russian princess-turned-spy in there, too, with a dispossessed Russian prince.

On another level the tale's pure allegory--about the Realist (the cynical poet) and the Romanticist (the grocer) stumbling upon a slice of real adventure and finding out that it's nothing like either of them expected. It's a vindication of fairy-tales (there's a princess in a tower!) and a judgement of thoughtless sentimentalism.

But all those levels work together to make up an often funny, often moving, surprisingly candid adventure through a Scotland lovingly evoked--yet another of Buchan's unusual tales.

5 of 5 people found the following review helpful.
Delightful
By debrahart
A very enjoyable escape, adventuring with a recently-retired grocer and his assorted acquaintances. Humorous, self-deprecating, and satisfying. Reading can be a muckle challenging, due to the Scottish dialect, but if you can get unto the swing of it, it just adds to the charm of the experience. Not to be missed!

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Jumat, 05 Juni 2015

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Mail Order Bride - Montana Surprise: Clean Historical Cowboy Western Romance Novel (Echo Canyon Brides) (Volume 9), by Linda Bridey

Gino Terranova hopes for a future with Carrie Sheehan—but when she springs surprises on him, can he forgive her so they can be happy together? Carrie must regain Gino’s trust—can she do it or is all hope lost?

  • Sales Rank: #315055 in Books
  • Published on: 2016-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .42" w x 6.00" l, .56 pounds
  • Binding: Paperback
  • 168 pages

About the Author
Linda Bridey lives in New Mexico with her three dogs; a German shepherd, chocolate Labrador retriever, and a black Pug. She became fascinated with Montana and decided to combine that fascination with her fictional romance writing. Linda chose to write about mail-order-brides because of the bravery of these women who left everything and everyone to take a trek into the unknown. The Westward series books are her first publications.

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3 of 3 people found the following review helpful.
Great Read!
By Glenda Parker
This book is the ninth book in the Echo Canyon Brides Series. This book is well writer, humorous, and the characters are very interesting, especially Arliss and Andi. I enjoyed the book very much. It's not the
Christian fiction I usually read but it was clean and entertaining.
Gino Terranova is a member of a large Italian family. He really wants to get married but most women only see his wealth. He puts an ad in the paper for a wife. After writing for some time he asks Carrie to come be his bride but when she arrives he is shocked to find that she has a six year old daughter she failed to mention. Not only is this a surprise but the girl is crippled from a bout with polio. Did she just come for his money? This is not what he bargained for but the little girl soon steals his heart and that of his family. Does Carrie have any other secrets that could destroy their relationship?
Carrie Sheenan is an accountant. She is widowed and left with a child. She must escape from her husband's corrupted family. She is desperate when she starts writing to Gino. When he asks her to come she jumps on the first train out of town. She mustn't him know about the family that is trying to force her to marry her husband's brother.
A journey of two desperate people; one seeks love and family while the other needs security. Secrets make it difficult to trust but their hearts are soon involved. They must find a way to become the family they both dreamed of.

4 of 4 people found the following review helpful.
I love Linda's books and this one is no different
By Amazon Customer
I love Linda's books and this one is no different!! It is well written and make it come to life for me!!

3 of 3 people found the following review helpful.
The last Terranova meets his match and then some. Can I move to Echo canyon please?
By rebecca
Amazing story as always from Linda.

This is the story of Gino Terranova and his mail order bride Carrie. She has a shock for Gino the moment they meet and a dark secret in her past that comes to haunt her.

Otto continues to struggle to find his place and makes a new friend.
Andi and Arliss finally get to tie the knot!!!
So much going on with all those we love and a mystery to be worked out next book, I am truly hooked on this series and can't wait for more.

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Kamis, 04 Juni 2015

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Lady of Magick (A Noctis Magicae Novel), by Sylvia Izzo Hunter

Sylvia Izzo Hunter brought “both rural Brittany and an alternative Regency England to vivid life”* in The Midnight Queen, her debut novel of history, magic, and myth. Now, in her second Noctis Magicæ novel, Sophie and Gray Marshall are ensnared in an arcane plot that threatens to undo them both.

In her second year of studies at Merlin College, Oxford, Sophie Marshall is feeling alienated among fellow students who fail to welcome a woman to their ranks. So when her husband, Gray, is invited north as a visiting lecturer at the University in Din Edin, they leap at the chance. There, Sophie’s hunger for magical knowledge can finally be nourished. But soon, Sophie must put her newly learned skills to the test.

Sophie returns home one day to find a note from Gray―he’s been summoned urgently to London. But when he doesn’t return, and none of her spells can find a trace of him, she realizes something sinister has befallen him. With the help of her sister, Joanna, she delves into Gray’s disappearance, and soon finds herself in a web of magick and intrigue that threatens not just Gray, but the entire kingdom.

*National Bestselling Author Juliet Marillier

  • Sales Rank: #6243405 in Books
  • Published on: 2016-01-12
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 13 Hours
  • Binding: MP3 CD

Review
Praise for The Midnight Queen
 
“The history of her world is not the usual stuff…inventive.”—Marie Brennan, Author of The Memoirs of Lady Trent
 
“A stunning story of magic, scholarship, and true love. Elegantly written, fast-paced and highly original…A remarkably assured debut.”—Juliet Marillier, National Bestselling Author of Dreamer's Pool
 
“Transported me back to those days when I discovered Anne McCaffrey, Robin McKinley, and…Tamora Pierce.”—TheBookPushers.com

About the Author
Sylvia Izzo Hunter is the author of The Midnight Queen. She was born in Calgary, Alberta, but now lives in Toronto with her husband and daughter and their slightly out-of-control collections of books, comics, and DVDs. When not writing, she works in scholarly journal publishing, sings in two choirs, reads as much as possible, knits hats, and engages in experimental baking. Her favorite Doctor is Tom Baker, her favorite pasta shape is rotini, and her favorite Beethoven symphony is the Seventh.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter I: In Which Gray Receives an Invitation

Weaving her way slowly through the stacks of the Merlin Library with an armload of histories and grimoires, her chin resting on the dull-green leather of the topmost, Sophie Marshall smiled to herself. From one pocket of her black scholar’s gown trailed a long scrap of writing-paper, on which an equally long list of abbreviated notations—such as M. Domitianus on G.A., “Aves Tenebrae,” Trevelyan Hist. Mag. Brit.—had been neatly written, and tidily scored through; the pile of codices in her arms representing the morning’s final foray into the scrum of undergraduates revising for their Finals, she could now retreat to her carrel to pass the balance of the day in solitude and study.

As she passed a shelf of Roman histories, another black-gowned figure erupted from a gap in the stacks, its face invisible behind another tottering pile. Sophie checked her advance, but too late; a moment later two undergraduates and more than a score of books lay scattered in the narrow aisle.

“Oof!” said the young man cheerfully, picking himself up and beginning to sort through the litter of codices. “A hazardous business, this! Now, let us see: Mine are the Greeks, you know, and these therefore will be yours, I think—”

Peering short-sightedly at Sophie, he held out a battered copy of Trevelyan’s Historie of Magick in Britaine. He wore a vague, amiable smile to match his voice, but as her hand closed on the spine of the codex, their eyes met, and a masque of politeness descended over his face. “I beg your pardon, Your Royal Highness,” he said repressively. “I hope you have taken no hurt.”

Sophie’s answering smile faded into a sigh. “None whatever, I assure you,” she replied, and busied herself in collecting up her books.

She reached her carrel with no further contretemps, and finding it—thanks to her warding-spell—still blessedly undisturbed, attempted to lose herself in contrasting the varying accounts of the lives of several famous British mages. But the encounter had flustered and annoyed her, and she found herself dwelling on it far more than she knew it deserved.

How could she have been so foolish as to expect a welcome here? Beyond each summer’s brief visits by the families of Merlin men receiving their degrees, no woman’s foot before her own had ever trod the paths and lawns of Merlin College—and few were those, as she had since discovered, who wished it otherwise. Her own wilful blindness had led her here, her determination to judge the College by her husband and her tutor, Master Alcuin, who took her as she was; why had she not understood that it was not they but her stepfather, Professor Callender—with his nostrums about the dangers of advanced study to the delicate female mind—who exemplified the Merlin man? And her circumstances were not helped by the tendency of her fellow students to perceive the Princess Edith Augusta in place of Sophie Marshall.

And yet...

The lonely, isolated, often unhappy Sophie of a few years since, whose life was made bearable by her illicit forays into the Professor’s library, could have imagined no greater prize than this. After the astonishing revelation that Sophie was in truth the daughter of the King of Britain, her hasty marriage, and the chaotic night on which she and her friends had saved the King from his advisors’ plot to poison him, the promise of a place at Merlin had come, like a gift from the gods themselves, to save her from a life of useless idleness, isolation, and acrimony in the royal household, or of wandering penury with Gray. And for all the ceremonious politeness of her fellow undergraduates, the tongues stilled and faces averted at her approach, the glares, the naked resentment, she was more often happy here than she had been in her stepfather’s house—now Gray’s and hers, at least in name—in Breizh. Having once accustomed themselves to her, Gray’s friends treated her as one of themselves, no longer seeming conscious either of her sex or of her rank; the men of Breizh, with few exceptions, had made it a point to demonstrate their friendship. The rest resented her presence, but just often enough did they forget their hostility in the heat of debate that Sophie held out hope of a future thaw. And everywhere one went at Merlin, was there not some new discovery waiting to be made? If only there were fewer game-pits and cowpats along her path...

Sophie fetched a wistful sigh, twisted a curl of dark hair around one finger, and applied herself to the Aves Tenebrae.

At length she was recalled to the present by a soft tapping on the wall of her carrel. Turning in her seat and tilting back her head, she beheld her husband, looking slightly rumpled and bearing a covered basket.

“Have you time to spare for luncheon?” he inquired, depositing the basket and perching dangerously on one corner of the desk.

“It is not noon already?” said Sophie, startled.

Gray’s hazel eyes crinkled in silent laughter. “Indeed it is,” he said, “and high time you were dragged away from your books, evidently. Your hands are all over ink.”

Sophie examined her fingers. Then, casting an eye at her husband, she said, “Whereas yours, on the contrary...”

Gray looked down at his own hands, and registered the palimpsest of ink-stains—the fresher, darker blots overlaid on older ones half scrubbed away—with a rueful grimace.

Sophie grinned at him.

Then she pushed back her chair and allowed Gray to take her hands and pull her up out of it. “What have you got in that basket, then?”

“I have wheedled a picnic luncheon from Mrs. Haskell,” Gray explained happily, as he and Sophie emerged arm in arm into the Garden Quadrangle. “She is in one of her cheerful humours today, and allowed Nessa Strout to pack it up for me. Had you rather eat in the quad, or in the Fellows’ Garden?”

Sophie paused and began to look about them. Having thoughtlessly made the suggestion, Gray at once saw it had been a foolish one; there was scarce a foot of space not already occupied.

All about the grassy quad, undergraduates—and even a few Junior Fellows—basked in the hesitant March sunshine. A few made some pretence of studying, drowsing over a codex under a willow tree or reclining on the lawn amidst a litter of papers and books, but most were simply and unashamedly lolling about in various stages of undress, gowns and coats and even one or two neck-cloths abandoned in little heaps on the grass. The place was so still that the progress of any person across the quad was spectacle enough to draw the attention of the less somnolent, and wherever Gray looked, some curious eye returned his gaze.

One rather undersized first-year had gone so far as to open his shirt; he met Gray’s eye with happy equanimity, but a moment later, his glance alighting on Sophie, he flushed to the roots of his tow-coloured hair and scrambled to retrieve his discarded gown.

Discomfited, Gray looked away—directly into the face of a Junior Fellow who was eyeing Sophie with curling lip and supercilious eye. Under the massive oak-tree in the centre of the quad—the one which generations of matriculating students had believed to be planted by Merlin himself—a trio in commoners’ gowns had their heads together, muttering; a moment later the knot of black silk exploded in laughter like a murder of crows, and one by one they swooped down to make extravagant, mocking bows.

“Clear off, the lot of you!” Gray ordered. They scattered, obedient to his scowl and his Master’s robes but howling with derisive mirth.

Sophie stood motionless, all her attention apparently on the springing buds of the nearest tree, until the last of them had taken himself off; only the tightening of her fingers on Gray’s arm betrayed her. “The quad seems rather overpopulated,” she said then, in a calm and distant tone.

Outraged on Sophie’s behalf—and mortified at having thoughtlessly delivered her to such abuse—Gray drew her closer to his side, looking determinedly straight ahead as they resumed their interrupted journey.

The Fellows’ Garden was occupied only by the Regius Professor of Magickal History, sound asleep on a stone bench quilted by creeping thyme, with a fat codex splayed open upon his breast. It was not difficult to avoid waking him; the first anger over, they consumed Mrs. Strout’s cold collation almost in silence. When they had eaten all they could, and fed the rest to an intermittent procession of chipmunks and an elderly hedgehog, Gray said, “We need not stay here, cariad, if you are unhappy.”

Sophie did not look at him, but went on twisting a sprig of bee-balm between her fingers. “And where else should we go?” she inquired.

It was an old dispute, and he had not really expected her to yield, but it dismayed him to see all her lovely colours faded in dejection, that had bloomed so happily a few hours since. “I am not so very unhappy, Gray,” she continued. “Or, at any rate, I am as happy here as I should be anywhere else.”

When his sister Jenny had spoken these words to him, or something like them, on her wedding-day, Gray had wished for power to give her some better assurance of happiness, and hated his father for promising Jenny to a man she did not love. How young and foolish I was, to believe that where love leads, happiness must always follow!

“There is the house in Breizh,” he ventured, and was perversely cheered by Sophie’s answering flash of temper.

“I do not choose to be an object of pity to Lady Maëlle and Amelia,” she said tartly, “and I have not endured the disapproval of my fellow undergraduates for five terms, only to retire like a wounded fox when the sixth is scarcely begun.” Two years of her life, or nearly, devoted to this undertaking: not, Gray conceded, an effort to be lightly abandoned.

The Regius Professor of Magickal History stirred on his makeshift bed, gave a tremendous snore, and muttered, “Asparagus washtub!”—making Gray and Sophie start, and then snicker, until finally they were cramming their gown-sleeves into their mouths to muffle their laughter. Staggering a little, they packed away Mrs. Haskell’s picnic-cloth, china, and plate and left the Fellows’ Garden as quietly and quickly as they could.

“Do you see?” Sophie said, prodding Gray gently with her elbow, as they emerged at last, still chuckling, into the Front Quad. “Life is not so very grim. I beg you will not fret yourself so over my well-being; I am sure you have work enough without.”

Gray set down the basket and drew her into his arms. “You are my wife, cariad,” he reminded her; “I can hardly be expected to do less.”

She rose up on tiptoe, and her hand came up to rest against his cheek; the touch set the air about them humming softly, Sophie’s magick and his own in the strange communion that they no longer thought to question—from which Gray deduced that her feelings on the subject were more forceful than she wished him to see.

Temple bells began to toll the hour—two after noon—and for some time the air was filled with the plangent bell of the College’s shrine to Minerva.

“I have left the day’s revising half done,” Sophie said at last, drawing away from him with a fond smile, “and you have Bevan and Ransome at the third hour, have you not?”

She stood on tiptoe again and drew his head down for a fleeting kiss, and then she was striding away across the quad, her black gown billowing behind her.

Gray watched her go, troubled. She chose to come here, he reminded himself, and chooses to remain; neither I, nor her father, nor any mage living, could have kept her here, if she did not wish it.

But Sophie deserves a happy home, not merely one less miserable than her last.

“Magister,” said Ransome, “were you at Professor de Guivrée’s lecture yesterday afternoon?”

“I was not,” Gray said; and then, startled, he asked, “Were you?”

“Certainly!” Ransome’s air of affront—as though attending lectures had been a settled habit of his—was so comical that Gray had difficulty in suppressing a smile. “Bevan saw me—did not you see me, Bev?”

Bevan, a little grudgingly, admitted that he had.

Gray suspected a ploy to draw attention from the deeply inadequate essay Ransome had produced for this afternoon’s session. The boy had natural talent in plenty, but no patience whatever for his books; his parents had sent him to Merlin to read magickal theory rather for the prestige of the subject than because he had any real interest in it. Gray privately thought that he had much better have trained in some more practical branch of magick—alchymy or botany, perhaps—where his talent might have been a greater help to him, and his aversion to the library a lesser hindrance.

Ransome was thus equally an object of sympathy and exasperation to his tutor—often both simultaneously; today’s effort to summarise the theory of summoning-, finding-, and drawing-spells had been particularly exasperating, set beside Bevan’s careful and thorough synthesis. Knowing Ransome as Gray did, however, only made the digression more irresistible: What had made him choose that lecture, of the hundreds given in any College term, to grace with his presence?

“Well,” Gray said, therefore, “and what did you think of the lecture?”

Ransome’s guileless face screwed up in concentration. After a moment he ventured, “I thought...it seemed as though he had an axe to grind.”

“Yes,” said Bevan unexpectedly, “and I know why, too.”

“Do you?” Ransome looked impressed, and rather relieved. “Why?”

“There was a...an uproar at his lecture last term,” Bevan said. He cast a cautious glance at Gray, who knew very well what he meant but did not like to curtail this rare manifestation of scholarly discussion between his students. “Old—er, that is, the learned professor had described his study of temples to Neptune and Ceres in Petite-Bretagne—your pardon: Breizh, I mean—and said that the introduction of altars to local gods has rendered many of them inefficacious as offering-places. He did not go quite so far as to call the local gods mere superstition, but—”

If Guivrée had stopped short of asserting that the ancient gods of Britain’s provinces were not fit to lick the metaphorical boots of the gods of Rome, Gray suspected, it was only because he chose not to set that particular cat amongst a set of pigeons so many of whom were Breizhek, Cymric, or Kernowek born and bred—not because he did not himself believe it true.

“There was a great deal of muttering,” Bevan went on, “but the only student who dared put a question at the end of the lecture was Soph—was Mrs. Marshall,” he corrected himself, colouring a little at Gray’s silently raised eyebrow, “and it was a very good question, too, to which he had not a good answer. He began to bluster about women’s fancies, instead, and there was nearly a brawl between his supporters and—”

“A brawl?” Ransome exclaimed. “And I missed it?”

Gray contrived to keep his countenance by carefully not looking at Bevan.

“Well, this time,” said Ransome, in a rather disgruntled tone, “his lecture was nothing but a dispute with a book by a Fellow at the University in Din Edin, which I daresay no one else present had read—”

“I have read it, at any rate,” said Bevan irritably. “It is a treatise on the theory of zoomorphic shape-shifting,” he explained, aside to Gray; “you know, sir, that I am particularly interested in—”

“Yes, yes, Bev, all of Merlin knows it,” Ransome interrupted, rolling his eyes.

No observer of this conversation, Gray reflected, could have guessed that last term Ransome had blacked the eye and bloodied the nose of a second-year student who had mocked Bevan’s patched boots, or that what progress Ransome had made in Old Cymric was due almost entirely to Bevan’s patient tutelage.

“But you see, Magister, he insisted—Professor de Guivrée did, I mean—that the author is quite wrong about things; I am not perfectly sure what things,” Ransome confessed cheerfully, “but it seemed to be all of them. It all sounded reasonable enough to me at first, but then he said a perfectly absurd thing, and that is what I wanted to ask you about, sir.”

He shook his flaxen hair off his face and sat back in his chair, looking expectantly at Gray. Beside him, Bevan closed his eyes briefly and put a hand to his brow as though his head ached.

“And,” said Gray, after a moment, “what, Ransome, was the perfectly absurd thing?”

“Oh!” Ransome flushed a little. Then he sat up straight, folded his face up into a scowl, hooked one thumb into his waistcoat pocket, and produced a startlingly accurate approximation of Professor de Guivrée: “‘It should surprise no one, however, to find such entirely wrongheaded ideas propounded by one who freely confesses to collaborating with...females.’ I mean to say, Magister...!”

Gray smiled at him. “I do believe the tone of your mind improves, Ransome,” he said. Ransome, he now recalled, had mentioned a large number of very clever sisters at home in Cirenceaster; perhaps they had had more influence on him than he allowed.

Din Edin. Collaborating with females. That sounds very much like someone I know...

“Bevan,” said Gray, “what was the name of this shockingly broad-minded scholar? I believe I may be acquainted with him.”

On the morning of the first of June, having sat up very late with her books the previous evening, Sophie awoke much later than was her custom, and was in danger of entirely missing a lecture which she very much wanted to attend. She was hurrying out the door when her attention was caught by the stack of letters which she had brought up the previous afternoon, and which had lain all night forgotten on the rather unfortunate hatstand; and she paused, one hand still ungloved, to riffle through them. One directed to herself, in her sister Joanna’s hand, she tucked into her reticule for later perusal. The rest were all directed to Gray, but only one (which looked rather the worse for its journey from Alba) seemed likely to be of immediate interest.

Gray himself emerged from the bedroom in his dressing-gown, yawning, as Sophie was pulling on her other glove. “Where are you off to so early?” he inquired.

“You remember,” said Sophie; “Doctor Richardson, from Marlowe, is giving a lecture today—with illustrations—on his travels in Egypt.” She made a grab for the letters and handed them up to him. “Look! There is a letter from your correspondent in Din Edin!”

Gray took the letters and frowned at them, in the manner of a man who has not yet eaten his breakfast.

“I overslept, and had not time to make tea,” Sophie said, “but the kettle is on the hob—I must go, love, for I shall be late if I do not leave this moment.”

Standing on tiptoe, with a hand on each of Gray’s shoulders, she hastily kissed him, then darted out the door and down the stairs.

“You will never guess what was in that letter from Din Edin,” said Gray, when they sat down to their rather spartan dinner that afternoon. He retrieved the letter from the pocket of his coat, together with a broken pen, two silver coins, a scrap of writing-paper scribbled all over with magickal formulae, and an owl’s tail feather.

“A translation of that very puzzling account of the Battle of the Antonine Wall?” Sophie hazarded, inhaling soup and exhaling suggestions, Joanna-like. “An antidote for wolfsbane poisoning? Another list of books which you must send northward at once, with all possible speed?”

“I said you would never guess,” said Gray, laughing. “No; it is an invitation from Rory MacCrimmon, on behalf of the School of Practical Magick at the University, to lecture there all next year on the practice of shape-shifting.”

Sophie put down her spoon with a clatter, looking satisfyingly gobsmacked. “An invitation . . . an invitation to you?” Then it seemed to occur to her that her astonishment might be taken amiss, and a becoming pink flared in her cheeks. “That is—”

Gray grinned at her. “I can scarcely credit it, either,” he said, which was entirely true: He had hinted very hard over the course of several months, but until now he had not thought he should succeed in his object. “But it is so, indeed. And look!”

He passed the letter to her, pointing out the second paragraph on the second page, and watched happily as she read:

As you have mentioned your wife’s interest in magickal study, I wish to assure you both that she is of course welcome, should she wish it, as a student either in my own School or in the School of Theoretical Magick, whichever may be the most suitable...

Sophie, round-eyed, put the letter down very nearly in her soup-plate, from which Gray rescued it with the ease of long habit.

“And it is true that there are other women at the University?” she demanded.

Gray nodded. “Several hundred of the undergraduates are women, MacCrimmon says. He seemed surprised at my asking, though I had told him of the dispute regarding female scholars when Bevan and Ransome first brought it to my attention. You should be entirely unremarkable there, I daresay.”

“You intend to accept his invitation, I hope?”

“I should very much like to do so, yes,” said Gray. “Of course there will be all manner of administrative and political details to sort out, but if the notion pleases you—”

But as Sophie was not much interested in administrative or political details, Gray was spared the danger of revealing that one of them consisted in securing her father’s permission to undertake the journey, and another in arranging conveyance and accommodations for some at least of the quartet of Royal Guardsmen (two posing as undergraduates, one as a journeyman baker, and the fourth as a banker’s clerk) presently responsible to His Majesty for Sophie’s safety.

Sophie looked almost dangerously gleeful. “I should like it of all things,” she said.

Most helpful customer reviews

3 of 3 people found the following review helpful.
One for My Keeper Shelves
By K. M. Martin
This second book in the Noctis Magicae series was as wonderful as the first. Sophie Marshall is a second year student at Merlin College and married to Gray who is a lecturer there. While she very much enjoys the chance to learn about magick, she does not enjoy the prejudice and attention that is paid to her as one of the few female students and the long lost daughter of the King.

When Gray is offered a position as a visiting lecturer at the University in Din Edin in the country of Alba and Sophie offered a position as a student there, they are eager to accept. However, Alba and Britain are separate countries and relations between them are somewhat tense. Sophie loves the university and is glad to meet and make friends with other female scholars. But the political situation isn't good. The land is suffering from some ills - crop failures and illness in some animal herds - and magickal interference is being blamed.

Tensions escalate when it is learned that the next Chieftain of the clans, Lucia MacNeill a fellow student of Sophie's, has become betrothed to Roland, Sophie's half brother and second in line to the throne in Britain, there are protests that threaten to grow into riots. The political factions that see this as Britain's attempt to conquer Alba are very unhappy.

Meanwhile, Joanna who is Sophie's sister is busy in London learning diplomacy from her guardian Sieur Germain de Kergabet who is an adviser to King Henry and Lord President of His Majesty's Privy Council. Joanna is on the inside knowing about the marriage plans of Roland, who has a monster crush on her, and Lucia MacNeill. Joanna is also planning a visit north to visit her sister and Gray.

Shortly before Joanna's arrival, Gray is kidnapped though, at first, it is assumed that he has been called home because of his father's illness. Time is lost because of the need to give him time to travel from Alba to the south of Britain but when a second letter is received, Sophie knows that something is very wrong. She learns that other foreign mages have also disappeared. She is determined to find her husband. In fact, she must find her husband because the longer he is away from her the more sick she becomes. Their marriage had linked their magick together. If she can't find him, they will both die.

This was a wonderful story. The world building was amazing. I loved the combination of magick and political intrigue. I also loved the growing relationship between Gray and Sophie as they adjust to being married. Sophie is a wonderful character who has immense magickal talent but no desire to use it for political gain.

This book will be going on my Keeper Shelf along with the first book in the series - THE MIDNIGHT QUEEN.

2 of 2 people found the following review helpful.
2nd Book Great as the 1st
By Anne Burner
Two years after the events of THE MIDNIGHT QUEEN, Sophie and Gray Marshall are living and working at Merlin College in Oxford. As the long-lost Princess Royal, Sophie finds her new status chafing, but makes slow headway at being accepted as a "normal" student. Gray receives an invitation to teach a course on shape-shifting in Alba, and the make the transfer north.

They settle in, with Sophie still hiding her new, uncomfortable rank, but eventually feels secure enough to allow some people to know the truth. As time passes, and the famine in Alba spreads, things become dark and troubling. As Joanna makes plans to make the trek north to visit, bringing her newfound friend Gwendolyn Pryce, Sophie considers telling her to remain in London for her own safety: darkness rides the land and foreign mages are going missing.

This is a fantastic read. If you loved the first book in the series, do not pass this one up. If you haven't read THE MIDNIGHT QUEEN yet, run out and get it so you can go straight into LADY OF MAGICK without missing a beat.

1 of 1 people found the following review helpful.
Good follow up to The Midnight Queen
By Marmalade Girl
Fans of fantasy and romance need look no further than Sylvia Izzo Hunter's LADY OF MAGICK for an entertaining read full of royal intrigue, daringly disobedient young ladies, and regional politics. When her husband Gray is invited to a foreign university as a guest lecturer, twenty-year-old Sophie Marshall (the recently reinstated "Lost" Princess Royal of England, Edith Augusta) rejoices, having heard that unlike Merlin, her current Oxford college, the Alban magic schools treat women no differently than men in terms of what they are allowed and expected to do. Tensions between Alba and England are at a low boil, but eventually she and Gray are granted leave to go abroad. At least she can rely on her wits and magick (and a pair of her father's undercover agents) to keep her royal identity relatively under wraps.

When an alliance is announced between their heir and an English prince, the news kicks off protests and unrest in Alba. Determined to stick it out to the end of the school year at least, Sophie relies on new friends to help her and Gray stay safe while continuing their teaching and studies. Meanwhile in London, Joanna, as an aide to Gray's brother-in-law Lord Kergabet, tries to juggle discretion in her work with the desire to keep her sister safely informed of problems looming on the horizon. Things take a turn for the worse when Gray is kidnapped, and a conspiracy starts to emerge signaling that mounting political pressures are about to erupt.

I adore the relationship between Sophie and Gray, as for all their newly-weddedness, they're rarely precious. They have interests and friends besides each other, but manage to balance those priorities with more pressing matters, like, say, the fate of several kingdoms. Those looking for clean-ish reads will appreciate Hunter's fade-to-black approach to love scenes. (And may I remind you that they're husband and wife?) That said, the novel isn't solely focused on heterosexual relationships, but introduces platonic and homosexual ones as well, however some of the latter may as yet be unexplored. I suspect we'll find out more about it in the next book (I sure hope there's a next book!)

Some readers may find the wordiness tedious, but those who find the rather rambling and inverted syntax of Austenian dialogue charming will find it likewise in Lady of Magick. Those hoping for greater mystery or suspense element will likely be disappointed to figure out the plot early on, while Sophie struggles with decisions over whom to trust, the answers may already be fairly transparent to the reader. I myself may have to re-read the second-to-last 30 pages or so as I sped through them, trying to see if I was correct in my deductions (I was).

Hunter manages to take a fairly frivolous first impression (young marrieds study magic abroad) and turn it into a thoughtful, brilliant tapestry, adding depth and a layer of seriousness to what could have been a purely escapist yarn. The author also does a credible job of weaving the intricate threads of world-building and characterization to produce a substantial, yet still thoroughly diverting tale of drawing rooms, state lines, family ties, and ancient power.

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