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"How does marriage work? If convention is set aside and is no longer there to guide...what then?
#1" New York Times "bestselling author Stephanie Laurens brings you THE ADVENTURERS QUARTET, a riveting blend of Regency-era high seas adventure, a mystery shrouded in the heat of tropical jungles, and the passionate romances of four couples and their unexpected journeys into love."
The instant Captain Declan Frobisher laid eyes on Lady Edwina Delbraith, he knew she was the lady he wanted as his wife. The scion of a seafaring dynasty accustomed to success, he discovered that wooing Edwina was surprisingly straightforward--not least because she made it plain that she wanted him as much as he wanted her.
Declan's vision of marriage was of a gently-reared wife to grace his arm, to manage his household, and to bear his children. He assumed that household, children, and wife would remain safely in England while he continued his life as an explorer sailing the high seas.
Declan got his wish--up to a point. He and Edwina were wed. As for the rest--his vision of marriage...
Aunt of the young Duke of Ridgware and sister of the mysterious man known as Neville Roscoe, London's gambling king, even before the knot was tied Edwina shattered the illusion that her character is as delicate, ethereal, and fragile as her appearance suggests. Far from adhering to orthodox mores, she and her ducal family are even more unconventional than the Frobishers.
Beneath her fairy-princess exterior, Edwina possesses a spine of steel--one that might bend, but will never break. Born to the purple--born to rule--she's determined to rule her life. With Declan's ring on her finger, that means forging a marriage that meets "her" needs as well as his.
But bare weeks into their honeymoon, Declan is required to sail to West Africa. Edwina decides she must accompany him.
A secret mission with unknown villains flings unexpected dangers into their path as Declan and Edwina discover that meeting the challenge of making an unconventional marriage work requires something they both possess--bold and adventurous hearts.
"The first voyage is one of exploration, the second one of discovery. The third journey brings maturity, while the fourth is a voyage of second chances.
Start the journey here and follow the adventure, the mystery, and the romances to the cataclysmic end."
"Praise for the works of Stephanie Laurens"
"Stephanie Laurens' heroines are marvelous tributes to Georgette Heyer: feisty and strong." --"Cathy Kelly"
"Stephanie Laurens never fails to entertain and charm her readers with vibrant plots, snappy dialogue, and unforgettable characters." --"Historical Romance Reviews"
"Stephanie Laurens plays into readers' fantasies like a master and claims their hearts time and again." --"Romantic Times Magazine"

• Sales Rank: #6842992 in Books
• Published on: 2016-01-20
• Format: Large Print
• Original language: English
• Number of items: 1
• Dimensions: 1.30" h x 5.70" w x 8.60" l, .0 pounds
• Binding: Hardcover
• 399 pages

About the Author
New York Times bestselling author Stephanie Laurens originally began writing as an escape from the dry world of professional science. Her hobby quickly became a career; she has been writing historical romance novels for more than 20 years. Currently living outside Melbourne, Australia with her husband and two cats, she spends most of her days writing new stories in her signature 'Errol Flynn meets Jane Austen" style. Visit her online at www.stephanielaurens.com.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Enjoyed the story
By margaret rose steege
Enjoyed the story; made even more intriguing as the very next book follows on. I especially enjoyed 'The Lady Risks All' so I guess I want to know how all these characters work out. I am waiting impatiently to see what happens to Honaria and Sebastion' s children.

0 of 0 people found the following review helpful.
I have enjoyed Stephanie Laurens as she writes perfect English
By Branx
I have enjoyed Stephanie Laurens as she writes perfect English. But this story was more about how the couple was going to work out their marriage than about their adventures. I skipped quite a few paragraphs.

0 of 0 people found the following review helpful.
Joyful
By joyful
Different start to the story, was captivating, wish it had been a bit longer, I did enjoy it and need to read all books to complete the story

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^ Free PDF History of the Plague in London, by Daniel Defoe

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Daniel Defoe (1660?-1731) was a prolific English writer who became one of the first Western writers to write novels and turn them into a sought after literary genre. During his life, Defoe wrote more than 500 books, pamphlets and journals on topics as wide ranging as politics, crime, religion, psychology, supernatural events, and even economics.
While those are all impressive accomplishments, Defoe’s name has lived on through Robinson Crusoe, one of the first and finest novels ever written. The book is written as a fictional autobiography of Robinson Crusoe, a castaway who spends nearly 30 years on a tropical island, where he encounters all kinds of danger and adventures. Published in the early 18th century, the novel may have been inspired by a real Scottish castaway, Alexander Selkirk, who lived for nearly 5 years on a Pacific Island. That island’s name has since been changed to Robinson Crusoe Island. Robinson Crusoe was a stark departure from the typical literature of the day, which was still based on ancient mythology, legends, and history.

• Sales Rank: #4507793 in Books
• Published on: 2016-01-06
• Original language: English
• Dimensions: 9.00" h x .36" w x 6.00" l,
• Binding: Paperback
• 158 pages

About the Author
Daniel Defoe was the author of "Moll Flanders "and "Robinson Crusoe".

Most helpful customer reviews

6 of 6 people found the following review helpful.
a must!
By alex levac
this is an excellent book, and a must for whoever is interested in death and life in London in the second half of the 17th century.the unemotional and detailed description of life under the horrors of the Plague is beyond imagination.

6 of 6 people found the following review helpful.
Historic gold mine
By upcountry
Facinating time capsul into Elizebethan times. An authentic reference. Dose not blush at the macabre. The horrors go on and on but the observations are worth it.

3 of 3 people found the following review helpful.
Interesting read if you are into history
By Ron Herbert
Just be prepared, this is, not surprisingly, written in the style of a diary and of the day. Which is a little disconcerting and tedious for a modern reader. But the information and week by week reporting is great, if you are into type of thing (which I am).

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Wyatt Thompson grieved over a loss. His world crashed around him and nothing, it seemed, could help him.

Piper Morgan, a mail-order bride, came to Colorado to find love and security. But when she arrived, sick and alone, she believed her world would never be the same.

But deep in the frigid Colorado mountains, Wyatt and Piper found each other. In a twist of events, Wyatt and Piper are drawn to each other and drawn from any thing they've ever known.

Will this mail-order bride fall in love with a man in what becomes a marriage of convenience?

• Sales Rank: #47230 in Audible
• Published on: 2016-01-18
• Format: Unabridged
• Original language: English
• Running time: 74 minutes

Most helpful customer reviews

2 of 2 people found the following review helpful.
Sweet story, if a bit rushed
By RomanceBkLvr
This was a sweet story, well-developed. I liked the characters and enjoyed the way it all unfolded in what felt like a natural chain of events. My only complaint is the rushed ending. So much time was spent developing them, then suddenly it was two months later. I would have liked to see how they learned to live together, how their feelings developed. The end was very sudden. Still, a nice, enjoyable little read.

2 of 2 people found the following review helpful.
Sweet and tender love story!
By Debra Collins
This book was an easy read with a sweet and tender love story. I was hooked from the very first line in this book and found it hard to put down. I absolutely loved it! It's the kind of story that gives you that warm and fuzzy feeling when it ends. It touched my heart and made me smile. Way to go, Julie Pollitt!!! I'm looking forward to more books from this wonderful author!!

2 of 2 people found the following review helpful.
Majorly disappointing
By Pink
This is a novella and everything was crammed in a few short pages. The descriptions were good.

The cover shows the Grand Tetons in Jackson, WY, but this book is not set in nor does it have anything to do with Jackson, so VERY misleading.

Disappointing over all.

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In her second Alexander Reisden and Perdita Halley novel, Sarah Smith delves even more deeply into the realm of deception, forgery, and menace that she has made so uniquely her own. Set in Paris during the devastating flood of 1910, and redolent of the colorful bohemian atmosphere of the time, The Knowledge of Water is a lush, complex, beautifully written novel about the consuming pleasures of passion and the obsessive perils of art.

Three years ago, the enigmatic Alexander von Reisden proposed to the young and very lovely Perdita Halley on a train between Boston and New York. Though initially accepting, Perdita later declined, fearing that marriage would compromise her dream of becoming a concert pianist. Now Perdita has come to study at the famous Conservatoire in Paris, the endlessly romantic city where Reisden heads an institute that specializes in diagnosis of the insane. Little suspecting the depths of each other's desires, and defying social convention, Perdita and Alexander plunge into an erotic, all-consuming affair that seems destined for tragedy. For Perdita cannot marry and attend the Conservatoire; and Alexander remains haunted by guilt and a dark secret from the past. Then an American acquaintance arrives, turning mere gossip into grand scandal.
As incessant rain pours down on the city of light, an intricate network of plots and counterplots swirl around the couple. Perdita's friend, the eccentric writer, Milly Xico, hatches a plot of sweet revenge against her former husband. And a deliciously elegant game of art and life turns deadly serious as a madman stalks first Alexander and then Perdita, threatening to destroy them both in retribution for a murder they know nothing about--or do they?

Sarah Smith has the born novelist's gift of creating a world more real, more compelling, than our own--a world of fascinating, intimately realized characters, strangely deceptive appearances, and mounting suspense. In The Knowledge of Water, Sarah Smith gives us that rare reading experience--a novel as intelligent in its style as it is haunting in its revelation.

• Sales Rank: #994984 in eBooks
• Published on: 2016-01-20
• Released on: 2016-01-20
• Format: Kindle eBook

Amazon.com Review
As revealed in The Knowledge of Water, a great flood washed through the streets in Paris 1910, exposing secrets thought to be sufficiently buried: the death of a singer, an art forgery, matters of the heart. The complex web of stories then tells a larger tale, that of the lives of Parisians in the time. The characters find their passion in art and murder and the beauty of the flood. This novel follows Sarah Smith's acclaimed The Vanished Child and rings with the same mix of suspense, history and wonder.

From Publishers Weekly
"You don't know what it's like to lose yourself. To have no words anymore, no way of saying who you are." So warns the anti-marriage, vengeful, divorced writer and theater artist Milly Xico, speaking to Perdita Halley, urging her not to give up her career in order to marry her lover, Dr. the Baron Alexander von Reisden. The talented 21-year-old Perdita, an aspiring concert pianist so nearsighted as to be almost blind, is determined to find out what she can accomplish in music. But her love for the Baron may be more of an impediment than her physical handicap. Set in the Paris of 1910, Smith's ambitious second novel (after The Vanished Child) opens with the Baron, a specialist in "mental disturbances," viewing the corpse of a murdered beggar woman to whom he was in the habit of giving alms. The Baron, haunted by the fact that he killed his abusive grandfather at age eight, feels empathy for the beggar woman's murderer, who begins writing to him not long after the body is found. Told in the alternating viewpoints of Perdita, Milly, the Baron, the murderer and a private detective from Massachusetts sent by Perdita's guardian to encourage the Baron to marry her, this is a sprawling, baroque tale of budding early feminism, murder and art forgery. Saturated with a subtle eroticism, low-key humor and luxuriant atmosphere, particularly concerning the great flood that ravaged the city of Paris early in the century, the writing can be awkward, and the plot is slow to cohere. Ultimately, though, the wide-ranging story elements hang together and, to her credit, Smith doesn't skirt the fact that there are no easy answers for the woman who wants both a family and an artistic career.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
In her sequel to The Vanished Child (LJ 2/1/93), Smith transports her star-crossed lovers, Alexander von Reisden and Perdita Halley, to a flood-plagued Paris in 1910. Knowing that women are not recognized as serious musicians, Perdita is determined to succeed as a concert pianist even if it jeopardizes her chance to become Mrs. von Reisden. She and Alexander, who directs a mental health institute, become entangled in a conundrum of conspiracy and unanswered questions that endanger their love and personal safety. Who is sending Alexander notes threatening his and Perdita's lives? Will someone steal the Mona Lisa and cast it into the Seine? Are the Claude Mallais paintings that are for sale authentic or forgeries? Once again, Smith is to be congratulated for artfully educating her readers on Victorian mores and tantalizing their minds with intrigue to the last page. Recommended for general fiction collections.
-?Mary Ellen Rutledge Elsbernd, Northern Kentucky Univ. Lib., Highland Heights
Copyright 1996 Reed Business Information, Inc.

Most helpful customer reviews

12 of 13 people found the following review helpful.
I'd take this book to a desert island
By A Customer
I just finished Sarah Smith's The Knowledge of Water. Absolutely incredible, with passages at the end that are worth reading, and reading again, and then stopping to savor. It's a book about passion, and in particular the passion for one's art, one's calling, and how people honor that passion in the context of a whole life -- not "fit it in," because passion cannot be accommodated, does not fit comfortably around the edges -- and it's about how expectations twist people's lives. And it's about women, their expectations for themselves, men's expectations, about the choices they make, about what it does to a person to give up her truth in order to do the laundry and buy the groceries and raise the children.
There are no bad guys in this book. There is a pianist who loves a man, but who for days leading up to her first public performance forgets to write to him. There is a doctor who gets caught up in saving his hospital and forgets that he has left his bride-to-be in a cheap hotel. There is, yes, a wedding that comes off in a paragraph, because the story is not about weddings but about marriage, of which the wedding is only an incidental part. There are discussions of love and risk and art and truth and forgery. I think -- although I won't know for years -- that this book will bear reading and re-reading, and may be one of the ten books that I would take to a desert island.
I was reading this book in Penn Station, waiting for a train, and had to sit down on the floor because I was so far into the book that I was beginning to lose track of where I was.

6 of 6 people found the following review helpful.
Engrossing, thought-provoking, and a good read.
By A Customer
I found The Knowledge of Water to be an absorbing blend of mystery, period history and romance; but before you write it off as a bodice-ripper, let me add that the characters are well developed and believable, and the thorny women's issues are thought-provoking and timely. The result is good, entertaining brain food.
My only regret is that I read this volume before the first one in the series, The Vanished Child. Although I plan to go back and read it now, I fear Knowledge of Water gives away too many of the surprises from the first novel.

3 of 3 people found the following review helpful.
Forgeries
By Linda Pagliuco
The Knowledge of Water is the second part of a trilogy, and meant to be read as such. It's interesting to see how an author can take the same set of characters, add some new ones, and further develop their personas around a completely different plot. The Vanished Child was about guilt and survival. Knowledge is about forgeries, layer upon layer of them. On the surface is the question of artistic dishonesty. Who is the forger of the works of the great Mallais? Slightly deeper is the question of identity, and to what extent an individual should be willing to compromise him/herself in the name of love. The broadest question is that of the rights and abilities of early 20th century women - who loses more by suppressing their talents, the women themselves or society as a whole? Who has the right to decide their fates?

Swirling around Reisden and Perdita as they struggle with these issues are the rapidly rising waters of the Seine and the intentions of a killer.

As other reviewers have noted, the center of the story does slow to a crawl as the various characters work their way through their choices to come to ultimate decisions. Patience is rewarded, however, by surprises in the final 20 pages.

On to the third and final volume of this series.....

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## Free Ebook An Introduction to Astrology (Illustrated), by William Lilly

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AFTER a lapse of 205 years since the first publication, in 1647, of Lilly's Introduction to Astrology, there would be no necessity for an apology for its re-appearance, were it not for the prevailing fashion of the day, which is to rail at and vituperate that science, and all who dare to say a word, not in its favour, but in favour of examining into its merits, with a view to ascertain what were the grounds on which our honest ancestors believed, and strictly followed, that which we conceive only fit for ridicule. As I have long outlived the days when I, like many others, thought myself at liberty to laugh at, and condemn, what I did not understand; the world will forgive me if I be bold enough to advise those who value truth, to spend a few days (and but a few days will be necessary) in examining the principles laid down in this work, and applying them to their own individual cases, before they join the herd of learned and unlearned in pledging their words to a false assertion, viz. that Astrology is an unfounded science. If any man will take the trouble to examine for himself, and should find that the prejudices of his education against the science of foreseeing the future, and many other matters which it teaches, are in reality well-founded, and that it has no claims to truth, then will he have the proud satisfaction of knowing, that his opinions on a matter of some consequence are based on experiment, and are the result of his own conviction, not of another person's assertion. On the other hand, if he find truth flash with lightning force upon his mind, and convince him that Astrology, notwithstanding prejudice and abuse, is founded in nature, and is indeed a noble science, given by a benevolent Creator to enlighten man in his wanderings, and enable him to shun the vice and folly which his passions throw in his path; then will he, if a spark of piety exist within his breast, offer thanks to that Creator for the blessing he has discovered. In either case, he must admit that I do him a service in putting forth this plain and simple means of discovering the truth.

• Published on: 2016-01-20
• Released on: 2016-01-20
• Format: Kindle eBook

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3 of 3 people found the following review helpful.
A classic, but not for beginners
By A Reader
This is an old classic of horary astrology. However, the title of "introduction to astrology" does not seem appropriate. The author uses terms without defining them. He also expects the reader to learn by heart the various symbols for the planets and signs of the zodiac. Probably not a problem for somebody who has been into astrology for a long time, but a real bummer for the beginner having to constantly refer back to the early pages to try to remember what a symbol means.

There is an internet edition of this book out there, but with a book like this, it's a big plus to have a real print copy.

Anyway, despite the problems, this is still an important book for the serious student of horary astrology.

3 of 3 people found the following review helpful.
I am taking a renaissance astrology class and this book ...
By Regina Chouza
I am taking a renaissance astrology class and this book is on the suggested reading list so I was very keen to download it. I find this kindle version to be incredibly hard to read as its full of typos, and some of those were in the abbreviations given for the signs and planets. This is making it practically impossible for me to read and understand the text (despite lots of note taking for reference)

I wound up reading it for free on a website called Sacred-Text that has a huge range of books available. Here is the link to Lilly:

http://sacred-texts.com/astro/aia/index.htm

2 of 2 people found the following review helpful.
an introduction to astrology by William Lilly 1904
By Alexa
I have an original hard cover copy. It was a gift passed down from Astrologer to Astrologer from 1904. so it is fragile……….this was a find!

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^ Download Ebook Treading Softly, Breaking Shells, by K Balette

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Seychelles, 1878. Louisa, newly arrived, finds herself confronting both her past and an uncertain future on the beautiful, yet isolated, islands. Plantation owner, Peter, faces his own struggles in the British colony, dominated by the old French landowning families. When Peter brings his sister to live with him on the plantation, he doesn’t think of the consequences. Joseph, dark-eyed and quiet, follows Louisa with his eyes as she steps off the boat and into his life. And Sarah, young and determined, fights to keep them all together as they face illness, loss and persecution. When a man is killed on a neighbouring plantation, things start to unravel. Treading Softly, Breaking Shells takes the reader on a journey to the Seychelles of the past.

• Sales Rank: #8696593 in Books
• Published on: 2016-01-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .48" w x 6.00" l, .64 pounds
• Binding: Paperback
• 210 pages

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0 of 0 people found the following review helpful.
Good read about colonial Seychelles.
By Amazon Customer
I'd never heard of the Seychelles before reading this book but now I need to go and see it for myself.
This book gives a quick history lesson on colonial Seychelles touching on topics like health, land ownership, women's rights and interracial relationships in the 1800s. There's even a splash of murder mystery.
It's a quick read with lots to think about. And who'd ever heard of breadfruit?

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! Ebook Living Alone, by Stella Benson

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A witch’s perspective on world war.

“Now there is hardly anything but magic abroad before seven o'clock in the morning. Only the disciples of magic like getting their feet wet, and being furiously happy on an empty stomach.” ― Stella Benson, Living Alone

An intricate, unusual early feminist bestiary set in a Great War which lasted into the 1920s; Living Alone blends magic and aerial broomstick dogfights over London, bombings which wake the dead, and a tangible sense of the ethereal.

“Miss Benson has a delicious sense of humor, and her way of describing people and things is most refreshing. With her sympathy, her realism, her wit and ability, it would seem that Miss Benson’s possibilities are limitless.” -The Bookman

“She has unusual originality, illuminating wit, deep feeling, and a gift for startling epigram.” -Daily Graphic

“Beautiful is none too grand a word for ‘Living Alone.’ The book teems with beautiful ideas, beautiful imaginings, best of all – beautiful feelings. There are things in it which those able to see what Miss Benson is after will recognize as inspired.” -The Times

“Nearly every sentence that Miss Benson writes has a point, and the waywardness of her fancy is irresistible.” -Daily Telegraph

• Published on: 2016-01-11
• Original language: English
• Dimensions: 9.00" h x .37" w x 6.00" l,
• Binding: Paperback
• 164 pages

About the Author
Stella Benson (1892-1933) was an English feminist travel writer and novelist. Stella was noted for being compassionate and interested in social issues. Like her older female relatives, she supported women's suffrage. During World War I, she supported the troops by gardening and by helping poor women in London's East End at The Charity Organisation Society. These efforts inspired Benson to write novels I Pose (1915) and This Is the End (1917). She took on a job at The University of California as a tutor, then as an editorial reader for The University Press. These experiences inspired her next work, The Poor Man (1922). Benson's writings kept coming, but her later works are not well known today. Goodbye, Stranger was written in 1926, followed by The Man Who Missed the Bus in 1928 and finally Tobit Transplanted in 1930, which won the Femina Vie Heureuse Prize.

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6 of 7 people found the following review helpful.
Absolutely Delightful Read
By Nancy L. Montgomery
This is one of the most magical reading experiences of my life.
It started rather slowly, or so it seemed. But then it pulled me into this magical place . Sorry to keep reusing the same word, but nothing else really fits.
This book was like going for a walk around your neighborhood. All is perfectly normal-mundane, even. Then you turn the corner, and all of a sudden you're in Oz. Or Diagon Alley. Or been whisked away on the Tardis. It's like listening to an expert storyteller, just incredible. The author has a true gift; I love how she describes things.
I will be looking for more by Ms Benson. Definitely.

2 of 2 people found the following review helpful.
A Singular, Memorable Combination of Voice and Plot
By Randy Stafford
"This is not a real book. It does not deal with real people, nor should it be read by real people. But there are in the world so many real books already written for the benefit of real people, and there are still so many to be written, that I cannot believe that a little alien book such as this, written for the magically-inclined minority, can be considered too assertive a trespasser."

“There can be few more charming, witty and irreverent novels to arise out of the Great War”, says science fiction critic and historian Edward James of Stella Benson’s Living Alone.

I myself have recently read some novels to come out of that war, novels of fantastic fiction. After almost a 100 years, none has such a singular and memorable combination of plot and voice as Benson’s.

That is just the opening of the book, and anyone can write a snappy epigram. But Benson’s voice is wry and flippant from the very beginning, a dear confidant chattering away about recent news and whatever thoughts occur to her. It’s not technically first person narration, but it has that tone even if technically it's the voice of some unknown party.

One of our principals is Thelma Bennett Watkins aka Iris 'Yde aka Hangela the Witch. That’s not an honorary title. She really is a witch right down to riding a broomstick, Harold by name. She bursts into a War Savings committee in an “unfurnished room in an unfashionable part of London.” The significance of “the Stranger” is not immediately appreciated:

"To anybody except a member of a committee it would have been obvious that the Stranger was of the Cinderella type, and bound to turn out a heroine sooner or later. But perception goes out of committees. The more committees you belong to, the less of ordinary life you will understand. When your daily round becomes nothing more than a daily round of committees you might as well be dead."

The dull, impoverished grind of those committees and the rest of the formal apparatus of charity work is felt by Sarah Brown:

The sixth member was a person who, where Social Work was concerned, did more or less as she was told, without doing it particularly well. The result, very properly, was that all the work which a committee euphemistically calls "organising work" was left to her.

The novel is really Sarah’s story with Thelma a magical catalyst that will bring her enlightenment if only of a melancholy sort. For, as Brian Stableford notes in his “Angela Benson” entry in the Encyclopedia of Fantasy, this is a “fantastically transfigured spiritual” autobiography. For sickly, tired, passionate, liberal Benson is, given the details on Benson’s life at Edward James Science Fiction and Fantasy Writers in the Great War site, clearly the model for Sarah.

Both work for pittances in wartime charities often going hungry between meals at wealthy committee members’ home or the ersatz food of wartime rationing. Both dabble with being a “land-woman”, women who replaced men in the agricultural labor of wartime England. Both tire of weeding out the “Naughty Poor” from the deserving and just wish that charity could be freed from the tyranny of organization.

When we first meet Sarah she is just the “sixth member” of that committee, grudgingly given a name for practical reasons by the author. Sarah is weary of Doing Good:

"… she was a member of committees, was neither a real expert in, nor a real lover of, Doing Good. In Doing Good, I think, we have got into bad habits. We try in groups to do good to the individual, whereas, if good is to be done, it would seem more likely, and more consonant with precedent, that the individual might do it to the group. Without the smile of a Treasurer we cannot unloose our purse-strings; without the sanction of a Chairman we have no courage; without Minutes we have no memory."

Sarah is entrusted to return Thelma’s broomstick. Sarah discovers her at the House of Living Alone:

"It is meant to provide for the needs of those who dislike hotels, clubs, settlements, hostels, boarding-houses, and lodgings only less than their own homes; who detest landladies, waiters, husbands and wives, charwomen, and all forms of lookers after. This house is a monastery and a convent for monks and nuns dedicated to unknown gods. Men and women who are tired of being laboriously kind to their bodies, who like to be a little uncomfortable and quite uncared for, who love to live from week to week without speaking, except to confide their destinations to 'bus-conductors, who are weary of woolly decorations, aspidistras, and the eternal two generations of roses which riot among blue ribbons on hireling wall-papers, who are ignorant of the science of tipping and thanking, who do not know how to cook yet hate to be cooked for, will here find the thing they have desired, and something else as well."

Weary Sarah, “only inwardly articulate”, describes a life suited to the house of Living Alone:

"I have been, I may say, a burden and a bore all over the world; I have been an ill and fretful stranger within all men's gates; I have asked much and given nothing; I have never been a friend. Nobody has ever expected any return from me, yet nothing was grudged. Landladies, policemen, chorus girls, social bounders, prostitutes, the natural enemies, one would say, of such as I, have given me kindness, and often much that they could not easily spare ... "

Thelma, foreshadowing the end, eagerly agrees to be her friend but friendship, she warns, is only a means to an end.

Their lives are entangled for the rest of the novel as magic and life in wartime London are entangled. We will meet faeries and a would-be suitor for Thelma and a dragon. The dead will raise from the earth – mistaking a German bombing raid as the Last Judgement. (A scene played so comically and naturally that I missed its significance until I read Brian Stableford’s description of the novel.) And, in something of a set piece for the novel, Thelma and a German witch, carrying a germ weapon to unleash on Britain, duel on broomsticks over London during a Zeppelin raid.

They fight and debate with Thelma forsaking jingoistic justifications for the war. “We are neither of us killing Evil, we are killing youth...."

The German witch plunges from the sky, defeated by Thelma, but bureaucracy has its revenge. Thelma is sought by the authorities for possessing an unauthorized “armed flying machine”. Sarah pulls strings, and most of the novel’s characters leave for America.

Leave for America, but only Sarah arrives there. Thelma stays with her until the “City on its Tiptoes”, New York City, is in sight. Sarah is dismayed that, after she has left everyone she loved to save Thelma from "the wrath of the law", Thelma will not stay with her.

“Didn't you know that all magic lives and thrives on the wrath of the Law?”, replies Thelma. Sarah cannot be, as she claims, “ill and bewildered” because she never left the House of Living Alone. Those in the House of Living Alone can never “make a success of friendship” and have no business with love.

The novel ends with Sarah stepping “over the threshold to the greater House of Living Alone.”

Benson actually finished writing the novel in California. Her dislike of the United States shows in the last chapter with quips like

“I gather America is too full of Liberty to leave room for socialism, isn't that so? My squirrel says there are only two parties in America, Republicans and Sinners—at least I think that was what he said—and anybody who belongs to neither of these parties is given penal servitude for life.”

(I take that as a reference to the imprisoned Eugene Debs.)

However, Benson seems to have found companionship unlike Sarah. She left California for Asia in December 1919 and lived there for the rest of her life. She married in 1921 and died in 1933 at age 41.

As there is a melancholy tension in Sarah’s attempt at friendship leading to even greater isolation and the realization that it will be permanent, there is a tension in this novel about what the Great War meant. Clearly, Benson did not find it a moral struggle.

She seems, though, to have found it a curiously invigorating struggle, at least for society.

Towards the end of the novel, one character complains about the staid Victorian age before the war and its lack of magic:

"The worst of this war is that it has nothing whatever to do with magic of any sort. It was made and is supported by men who had forgotten magic, it is the result of the coming to an end of a spell. Haven't you noticed that a spell came to an end at the beginning of the last century? Why, doesn't almost every one see something lacking about the Victorian age?"

He goes on to tell how the war has put magic has been put back in the world with the spilt blood of the war:

“Magic only dies in a tepid world. I think there is now more magic in the world than ever before. The soil of France is alive with it, and as for Belgium—when Belgium gets back home at last she will find her desecrated house enchanted.... And the same applies to all the thresholds in the world which fighting-men have crossed and will never cross again, except in the dreams of their friends. That sort of austere and secret magic, like a word known by all and spoken by none, is pretty nearly all that is left to keep the world alive now....".

Seeing the end of the war, even for an author writing in the middle of it, as the beginning of a new age – whether to be met with optimism or terror – is not uncommon in the works I’ve seen from the war.

Benson does not seem to have any occult interests, so there is not the mysticism that may be at work in Arthur Machen’s The Terror or another novel I’ll be looking at, Gustav Meyrink’s The Green Face. No, I think magic is a just a metaphor for a better world.

When she saw a Zeppelin, “exactly above” her, dropping bombs, Benson said she “wasn’t frightened, only brutally excited.” But her thrill was not, I think, the thrill of Thermidor though she was a fervent social activist who clearly wanted a changed world.

I think magic, for Benson, partly consists of what we would call “mindfulness”: “Witches and wizards are not blinded by having a Point of View. They just look, and are very much surprised and interested.” That’s partly, I think, the intent of her voice – to shake the reader out a “Point of View”. That is the magic the war brought back into the tedium of life.

0 of 1 people found the following review helpful.
Five Stars
By jp
great

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