Minggu, 20 April 2014

## Ebook Download Bracebridge Hall, or The Humorists, by Washington Irving

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Bracebridge Hall, or The Humorists, by Washington Irving

Washington Irving is widely considered America's first truly great writer, and in the early 19th century he wrote classics like The Legend of Sleepy Hollow and Rip Van Winkle.

  • Published on: 2016-01-17
  • Original language: English
  • Dimensions: 9.00" h x .56" w x 6.00" l,
  • Binding: Paperback
  • 246 pages

About the Author
Washington Irving (April 3, 1783 – November 28, 1859) was an American author, essayist, biographer, historian, and diplomat of the early 19th century. He is best known for his short stories "The Legend of Sleepy Hollow" and "Rip Van Winkle", both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of George Washington, Oliver Goldsmith and Muhammad, and several histories of 15th-century Spain dealing with subjects such as Christopher Columbus, the Moors, and the Alhambra. Irving served as the U.S. ambassador to Spain from 1842 to 1846.

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2 of 2 people found the following review helpful.
That Is, If You Like This Sort of Thing
By Bill Marsano
By Bill Marsano. Irving was one of the first if not the very first American writer to win an international reputation. Oddly enough that was just about the time the British litterateur Sidney Smith published [1820] his notorious and condescending "Who Reads an American Book?" which insulted Americans as a people modestly clever and always busy but utterly without creative genius of any kind. [Like many others of his country,men, Smith never quite got over the American Revolution.] Well, Irving sure showed him. Sort of: In this book he is a resolute anglophile, bathing himself in the cosiness of English country life of the early 19th Century much as Downton Abbey fans do today. It's all romanticized and glowingly artificial--again, like Downton Abbey, but he writes bout the hearty squire rather than the pompous lord. Irving is much better in his writings about Old Dutch New York and even his stuff about Moorish Spain. This, while highly literate and always graceful, is what E.B. White once called 'genial prose.' That is, likable, companionable and above all comfortable stuff that is mildly amusing but rarely if ever actually humorous. In short, as Lincoln said [or is said to have said] 'People who like this sort of thing will find this the sort of thing they like.'--Bill Marsano is an award-winning writer and editor of, it rather pains him to say, 50 years' experience.

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Sabtu, 19 April 2014

! Download PDF The Watersplash, by Patricia Wentworth

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A gardener's death sends a country house into a frenzy, and Miss Silver swoops in to set things right.

Edward Random returns to Deeping a forgotten man. Although raised in the village's manor house, he is no longer wealthy - the result of a quarrel with an uncle, which left him out of the old man's will. For years Edward's name has not been spoken in the town, save for wild rumors that he had gone to prison for dueling, decamped to the Orient, or simply died of mysterious circumstances. In fact he is in good health, ready to start life where he left off, money or no money.

But the old family feud stands in his way, and the situation at the manor house grows vicious in the wake of the undergardener William Jackson's death. Did he drown by accident, or was he murdered? Only Maud Silver, the demure but brilliant detective, can say for sure.

  • Sales Rank: #44395 in Audible
  • Published on: 2016-01-12
  • Format: Unabridged
  • Original language: English
  • Running time: 493 minutes

Most helpful customer reviews

21 of 22 people found the following review helpful.
Cozy, but not compelling
By Paper or Kindle
The Miss Silver cozy mysteries were written between 1928 and 1961. This is the 27th, written in 1955 when the author was about 77. All of the books have similar frameworks and characters and the pleasure comes from seeing how the same skeleton is fleshed out with a different body. There is the country house, filled with people; at least one couple in love; more than one person with a grudge; and assorted red herrings. Miss Silver, a retired governess with an uncanny knack for drawing people out and seeing through what they say, is on hand to unravel the mystery. The previous book, "The Benevent Treasure", was one of the best, with an unusual Gothic slant. This one, alas, falls short. It feels like the written version of sleepwalking...you know the basics and fill in the words almost by rote. There are many other books in the series that are excellent, very good, or enjoyable, and some that are sadly mediocre. "The Listening Eye" falls into that (mercifully small) category. There are characters who are so annoying you wish someone would knock them off just so you wouldn't have to encounter them again, like Wilfred, an avant-garde painter. There are others who are a bit too goody-goody for my taste, like Sally, the secretary who doesn't give Wilfred the trimming he deserves. There are unbelievable coincidences, such as a connection between a tenant of a deaf woman (who has the "listening eye" because she lip-reads) and the victim of a crime whose details are lip-read. Is it a bad book? No, it's okay. It's just not the best of the series and doesn't grip the reader the way others do.

8 of 9 people found the following review helpful.
Jewel theft and murder at a country house party
By Michele L. Worley
Paulina Paine visited the art gallery only because David Moray, the painter who rents her attic as his apartment and studio, sent her portrait there, titled _The Listener_. She hasn't heard anything since a bomb brought her office down around her in 1942, but she never quite lost the look of listening for what she could never hear again. While resting her feet, she idly starts lip-reading the conversation of a pair of men across the gallery who would otherwise be safe from eavesdroppers - and gets a nasty shock upon learning that they're planning a hold-up, and don't care who's killed in the process of taking something away from a secretary on his way back from a bank. She gets an even worse shock later, upon learning that they noticed her, and one of them saw her portrait, and learned about her name and lip-reading from the gallery attendant.
At that point, she has the good sense to use her connection with the Morays to make an appointment with Maud Silver, governess-turned-PI. Pauline tells her the whole story -and she has an excellent memory for words, although no talent for describing faces. Unfortunately, when she like so many others gets cold feet, she doesn't immediately take Maud's advice and go to the police, feeling that they'll treat her lip-reading as a fantasy. [Oddly enough, Pauline turns out to have been right - for reasons I don't pretend to fathom, Maud's friends among the police really *are* reluctant to believe anybody could have lip-read such a conversation.] The point soon becomes moot, since Pauline is killed by a hit-and-run driver before she could repeat her story to the police. Somebody miscalculated badly there, though; Maud's excellent memory and stern conscience ensure that the matter won't be dropped, and Frank Abbott and his colleagues on the Force respect her enough to face fact when Lucius Bellingdon's secretary is killed while retrieving a valuable necklace from his bank in Ledlington.
Bellingdon engages Maud to go undercover as his new secretary, since the theft required inside information. She balks at this, not being a typist, but this isn't really a problem; he has 2 secretaries, the senior of which was the victim, who was really more of an assistant to Bellingdon - sorting wheat from chaff in his correspondence and so on - while the other secretary is the one required to possess the more usual job skills. Going undercover, of course, presents no problems; her experience as a governess gave her one of her greatest professional assets, the ability to pass unnoticed in a drawing room as well as on the street.
Some really entertaining stuff, apart from the usual well-presented puzzle: Maud's private opinion of what people invariably say when information has leaked, and how little men know about what gossip really goes on; Bellingdon's widowed daughter Moira, who's too much of a Philistine to understand when David Moray wants to paint her as Medusa; Moira's old acquaintance, Moray's neighbour Sally, with her job fielding silly letters to the author Marigold Marchbanks (that part's *really* cute). The characters are far from bland, so this qualifies as a good novel as well as a good mystery.

4 of 4 people found the following review helpful.
As good as the rest!
By Jadiecook
The Miss Silver mysteries are great British reads. I'm a big fan of Georgette Heyer and the Miss Silver mysteries have that charming quality with enchanting characters and great dialog. Read them in order as several characters make reappearances! The mysteries are solid too! I prefer this genre of British mystery over the modern gory pop fiction some people enjoy. Give me a good story, some suspense, lots of laughs and a happy ending every time.

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Kamis, 17 April 2014

^^ PDF Ebook When I Was a Girl and Not Very Pretty: Hasna's Story (A Palestinian Saga Book 1), by Donn Hutchison

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When I Was a Girl and Not Very Pretty: Hasna's Story (A Palestinian Saga Book 1), by Donn Hutchison

It is the momentous year of 1917; the end of four hundred years of Ottoman Rule, the beginning of the British Mandate, and marks the birth of Salma's seventeenth child – Hasna. Not only is Hasna a girl born into a society that prizes boys, she is cursed with red hair, blue eyes and freckles. They set her apart, leave her excluded, and are viewed with suspicion in a society where superstitions are a part of daily life. Her father refers to her only as the girl; even her mother acknowledges that Hasna is not very pretty. Still, Hasna is smart, capable and hardworking – tenacious of life, though married off at thirteen and a half to a boy she has never seen, she finds love and contentment in marriage, motherhood and family. Peasants never have it easy, and this tumultuous time in Palestine's history certainly makes life harder. Life is uncertain and tragic, but also filled with love, laughter and stories.

  • Sales Rank: #492991 in eBooks
  • Published on: 2016-01-17
  • Released on: 2016-01-17
  • Format: Kindle eBook

About the Author
Donn Hutchison first came to Palestine, from small town Pennsylvania, as part of a student teaching program. He became a legal citizen of the Israeli occupied West Bank when a census was carried out after the Six Day War and he was counted as a resident. Palestine became his home. He continued to teach English to Palestinian youth, married, and raised his children in the occupied city of Ramallah where he still resides. In addition to his first hand experiences, he has been privy to a wealth of stories recounted by generations of Palestinians who lived and raised their families in the region throughout its turbulent history. His goal is to give his audience an idea of what life was like in Palestine through the eyes of this wonderful fictional family.

Most helpful customer reviews

3 of 4 people found the following review helpful.
A picture of the emotional heritage of the Palestinian people.
By Phillip
This is a delightful historical fiction about a Palestinian peasant woman and her family living in the early 1900's. The author weaves into the story much of what life would have been like for the Palestinian peasant of that time and how the world changed around them during the first three to four decades of that century. A must read for someone who hopes to understand the emotional heritage of the Palestinians today.

3 of 4 people found the following review helpful.
Suzan Habeeb
By Suzan Habeeb
Although it is fictional, it is a very interesting, beautiful story that stirs emotions and memories. A must read.

2 of 3 people found the following review helpful.
A rich and inviting story
By Saundra Hoover
Hutchison captures the heart and spirit of these intriguing characters and weaves them artfully across the tumultuous historical background of Palestine.
Love, sex and intrigue play out against a rich cultural picture of days gone by. Although Hutchison is American, his embrace of the people and story of Palestine render him as a native son.

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Sylvia's Lovers - Volume 3, by Elizabeth Gaskell

Elizabeth Gaskell was a British author during the Victorian era, and her novels are notable for detailed descriptions of the different classes of society in 19th century Britain.

  • Published on: 2016-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .26" w x 6.00" l, .35 pounds
  • Binding: Paperback
  • 112 pages

About the Author
Along with short stories and a biography of Charlotte Bronte, Elizabeth Gaskell (1810-1865) published five more novels including "Wives and Daughters" (1865).

Most helpful customer reviews

1 of 1 people found the following review helpful.
the outright melodrama of the third
By deha
"This is written with a vivid, lively and evocative style, often enlivened by humour. The first volume is lively and brisk in tone, yet overall, this is a tragic tale and the questions that it sets up about unrequited love, honour and duty are finally insoluable in terms of 'this world' which, apart from her natural inclinations as a minister's wife, is no doubt why Gaskell ends by drawing on the next in the final volume.

Set in the whaling town of Monkshaven (actually, Whitby)when conservation was unheard of (preposition, I know!), the story concerns the two admirers of pretty, spirited daughter of the one time whaling Speckioneer turned farmer Daniel Robson, and her two admirers.

One of the two is her unappealing,religious, dutiful, hard-working cousin Philip Hepburn, who becomes a business partner in a haberdasher's. He has 'made an idol' of Sylvia for years, much to her disgust. He idiotically believes he will win Sylvia's heart by teaching her to read and by trying to get her to wear drab colours.

Her preferred admirer is naturally the handsome, swaggering, talkative, dashing Specksioneer (Chief Harpooner) Charley Kinraid, who becomes Sylvia's hero when he is shot defending his crew mates from a press gang raid. He takes to calling on Sylvia's family when he is recovering, and they soon fall in love.

Kinraid has a reputation as a womaniser that has preceeded him, and Philip tries to warn Sylvia against him, but she does not believe him. When by coincidence he sees Kinraid being taken by a press gang on a deserted beach, Kinraid begs him to give the message to Sylvia that she must remain as true to him as he will to her, and that he will return. Philip treacherously decides against passing on a message he considers to be worthless and schemes to marry Sylvia himself.

But Kinraid returns...

I didn't find either the shallow, egotistical, opportunistic Kinraid, who has no human vulnerabilities, or the dismal, self-rightous Philip symapthetic, but I did feel a good deal for poor Sylvia.

Because of Gaskell's Victorian reticence, she clearly cannot go into the question of physical attraction which is the root of the problem here in Sylvia's torn loyalties, and this adds to the confusion of the nature of Sylvia's true feelings for both in the melodramatic denounement.

An interesting read. Most people enjoy the lively, cheerful note of the first volume, where Sylvia and Kinraid are falling in love, to the 'gathering shadows' of the second volume and the outright melodrama of the third. I enjoy a bit of melodrama myself...Mary Ann"

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# Ebook The Moon and Sixpence, by W. Somerset Maugham

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The Moon and Sixpence, by W. Somerset Maugham

First published in 1919, W. Somerset Maugham’s “The Moon and Sixpence” is an episodic first person narrative based on the life of Paul Gaugin. At the center of the novel is the story of Charles Strickland, an English banker who walks away from a life of privilege, abruptly abandoning his wife and children, in order to pursue his passion to become an artist. Strickland leaves London for Paris and ultimately Tahiti, mirroring the life of Gaugin who would also split with his wife to pursue a life of painting eventually immigrating to Tahiti. The title of the novel, which is never clearly explained in the novel, comes from a review for Maugham’s previous work “Of Human Bondage” in which that novel’s protagonist, Philip Carey, is described as “so busy yearning for the moon that he never saw the sixpence at his feet.” The moon in this sense might be seen as the lofty ambition to pursue a life of artistic expression in contrast to the sixpence which represents the security of a middle-class life style with wife and children to which the protagonist abandons. “The Moon and Sixpence” is the story of the demands that can be placed on a tortured artistic soul and consequently the lives that it touches. This edition is printed on premium acid-free paper.

  • Sales Rank: #1093783 in Books
  • Published on: 2016-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .40" w x 5.50" l, .46 pounds
  • Binding: Paperback
  • 158 pages

Review
"[A] witty, compelling roman à clef...that mock[s] the way the world makes saints of the sinners who are often its best artists."  -The Boston Globe

"It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham.... He was always so entirely there."  -Gore Vidal

From the Publisher
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From the Inside Flap
Based on the life of Paul Gauguin, The Moon and Sixpence is W. Somerset Maugham's ode to the powerful forces behind creative genius.
Charles Strickland is a staid banker, a man of wealth and privilege. He is also a man possessed of an unquenchable desire to create art. As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leaves the lives of those closest to him in tatters. Through Maugham's sympathetic eye Stricland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in humans lives it sometimes demands.

Most helpful customer reviews

92 of 100 people found the following review helpful.
Haunting, thoughtful novel.
By A Customer
It has been noted many times that artists are usually not the most pleasant human beings to be around; Maugham's novel is, among other things, a compelling examination of why this is so. The obsessed artist who dominates this book, Charles Strickland (based on the notorious Paul Gauguin), walks away from his cushy middle-class existence in England to pursue his dream to paint, amid frightful poverty, in France. Strickland is an unforgettable character, an inarticulate, brutishly sensual creature, callously indifferent to his fellow man and even his own health, who lives only to record his private visions on canvas.
It would be a mistake to read this novel as an inspiring tale of the triumph of the spirit. Strickland is an appalling human being--but the world itself, Maugham seems to say, is a cruel, forbidding place. The author toys with the (strongly Nietzschean) idea that men like Charles Strickland may somehow be closer to the mad pulse of life, and cannot therefore be dismissed as mere egotists. The moralists among us, the book suggests, are simply shrinking violets if not outright hypocrites. It is not a very cheery conception of humanity (and arguably not an accurate one), but the questions Maugham raises are fascinating. Aside from that, he's a wonderful storyteller. This book is a real page turner.

45 of 48 people found the following review helpful.
"You are an unmitigated cad!"
By Mary Whipple
When he first meets Charles Strickland, a London stockbroker, the young narrator of this novel thinks of him as "good, honest, dull, and plain." When Strickland suddenly abandons his wife and children and takes off for Paris, however, the narrator decides he is a cad. Though he has had no training, Strickland has decided to become an artist, a drive so strong that he is willing to sacrifice everything toward that end. Anti-social, and feeling no obligation to observe even the smallest social decencies, Strickland becomes increasingly boorish as he practices his art. Eventually, he makes his way to Tahiti, where he "marries," moves to a remote cottage, and spends the rest of his life devoted to his painting.

Basing the novel loosely on the life of Paul Gauguin, Maugham creates an involving and often exciting story. His narrator is a writer who feels impelled, after Strickland's death and posthumous success, to set down his memories of his early interactions with Strickland in London and Paris. Because the narrator never saw Strickland after he left Paris, he depends on his meetings with a ship captain and a woman in Papeete for information about Strickland after Strickland's arrival in Tahiti. The ship captain is described as a story-teller who may be spinning tall tales, a constant reminder to the reader that this is fiction, and not a biography of Gauguin.

By depicting Strickland as a "dull, plain" man suddenly gripped by an obsession so overwhelming that nothing else matters to him, Maugham involves the reader in his actions, which even the narrator claims not to understand. The least convincing aspect of Strickland's characterization is the narrator's observation that Strickland is completely indifferent to his wife of seventeen years and his children. No confrontation between Strickland and his wife appears, and one wonders if perhaps Maugham found himself unable to depict such an abandonment realistically. The story moves quickly, however, and whatever is sacrificed in the characterization is more than recouped in the plot and its development.

Straightforward in its story line, the novel is romantic in its depiction of the artist in the grip of an obsession, his subsequent abandonment of civilization and return to nature, his suffering of a long and terminal illness (during which he paints his masterpiece), and the fate of this creation. Good, old-fashioned story-telling at its best, this uncomplicated story, written in 1919, still has broad appeal. Mary Whipple

17 of 18 people found the following review helpful.
The Language of Passion
By A Customer
Maugham takes a fascinating look into the life of Charles Strickland, a man who gives up his comfortable life as a stock broker, breaks the social contract, abandons his family, and takes up painting. These changes condemn him to a life of poverty and disdain by most who know him. The story is related by an aspiring writer who never seems to be able to quite get the painter to admit he is either remorseful of all the human wreckage he's left in his wake, or so uncomfortable in this new life that he's sorry for having made such a hash of his it. Despite his lack of satisfactory answers, the writer continues to be fascinated by Strickland, who has found a means of expression that transcends language. Strickland understands the writer well enough, having lived in his culture. The writer, on the other hand, cannot possibly understand Strickland, having never been so passionate about anything in his short life. It is this passion that both draws others to Strickland, and causes him to reject outright everything they hold dear. The book raises several intersting questions: Who makes the social contract anyway, and did Strickland knowingly sign on, or was he simply incorporated into it by society? Would it have been acceptable for Strickland to abandon his family to become a priest, missionary, or some other more acceptable form of aesthete? While the book is loosely based on the life of Paul Gaugin, it is really more about W. Somerset Maugham and his search for beauty and truth. In his fictionalized account of that search, Maugham shows us that while the search may be noble, the journey is not necessarily beautiful to everyone, especially those not involved. Strickland's single-minded search is especially ugly to those who at one time meant something to him, as they are informed dispassionately and without malice they mean nothing to the painter except a meal or a small loan. As he draws ever nearer his language of painting, Strickland gradually sheds even these occasional interactions, to a point where even his very life has no meaning except in the context of his art. This book is a must-read for anyone contemplating a life in the arts. While Strickland is a thoroughly dislikable character, he is one without artifice, totally lacking the ability to say anything other than what is true to him. He is a man consumed by his passion, completely lacking the need for approval. Maugham as usual creates a work that is both powerful and thought-provoking. "Moon and Sixpence" satisfys on at least two levels; as a cracking good story, and as a philosophical treatise on art, beauty and passion.

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* Download Ebook The Whirlpool, by George Gissing

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The Whirlpool, by George Gissing

George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.

  • Published on: 2016-01-14
  • Original language: English
  • Dimensions: 9.00" h x .71" w x 6.00" l,
  • Binding: Paperback
  • 314 pages

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

About the Author
George Robert Gissing (22 November 1857 – 28 December 1903) was an English novelist who published 23 novels between 1880 and 1903. Gissing also worked as a teacher and tutor throughout his life. He published his first novel, Workers in the Dawn, in 1880. His best known novels, which are published in modern editions, include The Nether World (1889), New Grub Street (1891), and The Odd Women (1893).

Most helpful customer reviews

13 of 13 people found the following review helpful.
Irresistible Character Analysis
By disco75
Although this Gissing novel was revived for critical admiration about a century after it had first appeared to mixed or lackluster reviews, it continues to remain on murky, shadowy shelves, little-read. What a supreme shame. It is interesting from the beginning, never flagging in its incisive exploration of relationships. The novel is essentially a drawing-room drama that explores the autumn of the Victorian era. Its focus is on denizens who are not the bohemians or working-class outsiders to society that populated many of Gissings other books, but the lower and middle ranks of *society* itself. It follows the folks we would today call "trust-fund children," people poorly prepared for earning their own way in life, saddled with excess leisure time and burdened with a stringent set of rules about propriety. They, like their less fortunate fellow citizens, are having to learn as they go along about the modern era and its stock-market and social commodities.

But this is only the backdrop for the meaty aspects of the book. The glory of the novel is Gissing's examination of relationships. By scrutinzing a particularly vivid woman-- a narcissist whose self-deceptions clamor to distort every attachment she forms-- the author brings an expert hand to describing marriages, friendships, parent-child bonds. Gissing shows a psychologist's keen insight into the ways that generations pass on strengths and weaknesses, the way a parent's behaviors will mold the desires of his children's adulthoods. He is perceptive about how vastly different people may attract one another in the subconscious hopes that they will counter-balance each other's excesses. He is able to show how friendships can round out-- or contaminate-- the weaknesses in a person's character. Impulses war with conscious goals in these people, loyalty is set against self-interest.

The fickleness of adolescence, the intricacies of courtship, the successes and failures of marital negotiations-- all of these are brilliantly reflected in the plot. Gissing shows a masterly hand at dialogue. Domestic and societal intrigue are drawn into the story as the femme fatale becomes increasingly desperate. The novel is less overtly philosophical than his better-known *The Odd Women.* It is no less impressive, however. I enjoyed the book from beginning to end.

The Everyman edition is especially fine-- it sports a great introduction by William Greenslade, timelines not only of Gissing's life but of the artistic and political era, as well as illuminating explanatory notes and excerpts from the reviews of the 1890s and 1980s.

5 of 5 people found the following review helpful.
The Whirlpool
By Robin Friedman
George Gissing's novel "The Whirlpool" is a grim, pessimistic and thoughtful examination of materialistic, fast-paced urban life and of the difficulties of what today is frequently described as companionate marriage. Of all Gissing's novels, this book is probably the most modernistic in tone. Published in 1897, "The Whirlpool" is a late work of Gissing (1857 -- 1903. It was written after the author had achieved a degree of critical and popular recognition after writing in relative obscurity for much of his life. Most of Gissing's books deal with the London poor or with the middle class. "The Whirlpool" is unique for Gissing in its upper middle-class setting, and the book has some similarities to the writings of Henry James. Gissing wrote best about places and people that he knew. In some respects, he seems uncomfortable in his descriptions of the worlds of finance and of the business of music that form the backdrop of this novel. In its pessimism, the book is typical of Gissing. Thus, in an earlier novel, "The Nether World", The Nether World (Oxford World's Classics) Gissing's most detailed look at the London poor, Gissing observes that there is little to distinguish the nether world of the slums from the world of the upper-class. In many respects, "The Whirlpool" is "The Nether World" transferred.

The title "The Whirlpool" is the key metaphor of the book. Gissing and his main character, Harvey Rolfe describe the world of late Nineteenth Century London as "a ghastly whirlpool which roars over a bottomless pit" (p. 47)for its ceaseless and senseless activity devoted to the pursuit of money which draws everyone into its maw. In discussing the difficulties of raising children, Rolfe observes that "There's the whirlpool of the furiously busy. Round and round they go; brains humming till they melt or explode." (p. 147)

The novel centers upon the marriage between Harvey Rolfe, age 37 at the outset of the novel, and Alma Frothingham, roughly 16 years younger. Rolfe is a Gissing-type male character, educated, well-meaning, but passive, rootless, and weak. Rolfe is educated and a reader and appears content to live as a single man on a competence of investments which he manages prudently and modestly. He meets the young, beautiful Alma, however, and determines to marry her. Alma is the daughter of a financier who kills himself when his investment firm fails, bringing ruin to many people. She has difficulty living this down. Alma also is a violinist of real if modest talent who aspires to turn professional. When Harvey and Alma marry, they promise to respect each other's independence and not to interfere with one another's lives. They agree to escape London and remove to a rural area in Wales where Alma has a son, Hughie, and abandons her violin for a time.

After two years in Wales, Alma becomes restless and frustrated and the couple return to London where they both are soon drawn into the Whirlpool. Alma pursues her ambition to become a concert violinist but the price is high. She must deal with and try to manipulate two men who had earlier tried to seduce her. She also neglects her son and her husband while growing unreasonably and wrongly suspicious that Harvey has had an earlier affair. Harvey, for his part, allows Alma to pursue her musical career but at the price of seeming indifference to her. The story takes a startling turn when Alma makes a surreptitious visit to the home of one of her sponsors, a wealthy rake named Redgrave, the night before her concert. She witnesses a fight between Redgrave and a family friend named Hugh (for whom Hughie was named) Carnady who punches and accidentally kills Redgrave because he thinks, with some degree of plausibility, that Redgrave is having an affair with his wife, Sibil. Both Sibil and Alma have reasons for concealing the affair and for imputing infidelity to the other. Alma becomes fervish and ill, is blackmailed, resorts to drugs, and soon dies from an accidental overdose.

The book is replete with nasty, selfish individuals out for the main chance. Gissing is frequently at his best in his characterizations of women, and his portrayal of Alma, her ambitions, and her weaknesses is particularly insightful. Rolfe and Gissing suggest that the problems of the relationship, besides the incompatibility of Rolfe and Alma in what they want out of life, is due to the quest of both parties to the marriage for independence and autonomy. The novel shows sympathy for Alma and her ambitions, but her dreams of becoming a concert violinist are shown as unfounded given her level of musical ability and inconsistent with being a loving wife and a good mother for Hughie. In discussing companionate marriage and its difficulties in an urban, materialistic world, Gissing writes perceptively about an issue which has assumed critical importance in modern life. His thoughts on the matter are not those of most people today. But the value of the book lies in how Gissing presents the issue and in his portrayal of the weaknesses and the frustrations in the many men-women relationships that have a place in "The Whirlpool."

The book is slow-reading and clumsy, as is much of Gissing. It is also written for the most part in a flat style which is in marked contrast to the passion and the fervid, neurotic behavior of most of the characters in the story. For all its shortcomings, "The Whirlpool" is an excellent, intelligent novel of ideas and character.

This particular edition of "The Whirlpool" unfortunately is no longer in print. It includes an excellent introduction by William Greenslade of the University of West England, Bristol, and good notes which explain Gissing's many topical references to the London of his day. In addition, the edition includes a summary of critical reactions to "The Whirlpool" from the books publication to the 1980s. The novel received mixed reviews upon publication (including a review by Henry James) and then was largely forgotten in the Gissing canon (itself not well-known on the whole) until the latter part of the Twentieth Century. The book then went through several editions due to its treatment of modern marriage and the role of women. The only new editions currently available of "The Whirlpool" appear to be computer offprints which are useable but not good. A reissue of this excellent "Everyman" edition of "The Whirlpool" would be highly welcome.

Robin Friedman

5 of 5 people found the following review helpful.
A masculine version of Edith Wharton's House of Mirth
By Dan Carrison
Just finished The Whirlpool and I'm trying to organize my thoughts in answer to the question, "Why did I love this book so much?" Well, for one thing, it's different from New Grub Street, Private Papers and Odd Women in that the story line takes place at a higher level of society. I found that a relief, not because I'm a snob, but because I like more interesting dialogue.

What I love about Gissing is his unflinching honesty, his allegiance to the truth no matter how painful---in regard to his characters and to his own life. His characters (in The Whirlpool) are so very real; the dialogue snaps in the air about your ears. It's all so real, so inevitable, so poignant. Gissing can break your heart--not out of sentimentality, like Dickens, but because his own heart is breaking.

It makes me wonder who he wrote for? He knew his novels were not going to be best sellers. I've even read that he expressed some disdain for successful writers. The Whirlpool was one of his last novels; he had no illusions about it being embraced by the literary world, much less the man in the street. Yet he wrote so painstakingly well.

The Whirlpool and The Odd Women moved me in ways that Dickens never could. I would put Gissing right up there with George Eliot. He towers over Henry James, and he's better than Galsworthy.

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^^ Ebook Doll of Dawson, by Marlana Williams

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Doll of Dawson, by Marlana  Williams

More than forty years after the Klondike gold rush, Helen--a young reporter for an Alaskan publication is determined to interview an aging, former dancehall girl to secure her place as a professional journalist.

Though the elderly woman's story of survival seems closely guarded, the memories of friendship and betrayal remain sharp within her mind.

As a new bride struggling to maintain the image of perfection from high society Minneapolis, Mae recounts the last gold rush expedition that promised to make thousands of men rich--including her husband Arthur, if only they could withstand the cold and treachery of the Chilkoot Trail, and of each other. Mae recalls several colourful characters including heroes, scoundrels, prostitutes--even an exotic bird!

However, when greed and corruption set in, Mae's husband leaves her stranded in Dawson City to fend for herself. It's then that she became the town's beloved "Doll of Dawson", melting the coldest hearts, and finding wealth beyond gold.

Based on the true story of a woman who lived in Dawson, Yukon at the time of the Klondike gold rush named Mae Field, and the actual article written four decades later entitled The Doll of Dawson by Helen Berg.

  • Sales Rank: #2513443 in eBooks
  • Published on: 2016-01-07
  • Released on: 2016-01-07
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
An excellent historical novel featuring a dynamic woman!
By Sandra K. Greenman
The story kept my interest from start to finish. Reading about Mae Field and her journey from traditional family life to a dancer in a saloon during the Klondike gold rush was never dull. As a girl she followed her passions and this continued on through her adult life. Mae faces many challenges and losses in her life. She deals with them and lives life on her own terms. I recommend this book. Ms. Dutch was inspired to write this story by a photograph she saw many years ago. I am so glad that she did the research to find out who this woman was and to write her story.

0 of 0 people found the following review helpful.
Doll of Dawson
By Torrie
Very good book. Had my interest through out the whole book. If you want one that will keep you up all night reading; then is the one.

0 of 0 people found the following review helpful.
doll of dawson
By Donna R. Obermiller
very good book could not put it down would like to find more books like it kept me reading and not want to put it down

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